Meek Mill, Wins and Losses © Atlantic

Meek Mill, Wins & Losses | Top 5 Songs


★★★½: Energetic rapper Meek Mill returns with his third studio album, ‘Wins & Losses.’ More often than not, the ‘wins’ outweigh the ‘losses.’ Continue reading Meek Mill, Wins & Losses | Top 5 Songs

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Selena Gomez, Revival © Interscope

11 Songs Where the Innuendo is Out of Control


uSelena Gomez told the world that she “couldn’t keep her hands to herself.” Isn’t keep your hands and your feet to yourself one of the basic rules taught in every elementary classroom? Regardless, Gomez’s lack of control perfectly captures the sentiment of the 11 songs selected on this playlist that lack control of their sexual appetites. The innuendo is front and center and inescapable, even if the particular song has more transcendent aspirations.  One Direction say it best: “No Control.”

1) Fifth Harmony featuring Ty Dolla $ign, “Work From Home” (7/27, 2016)

Fifth Harmony, 7/27 © Epic

There’s no covering it up in the least; Fifth Harmony’s “Work From Home” is drenched in innuendo from start to finish.  Liken “Work From Home” to mashed potatoes smothered in brown gravy, or gravy of preference. How absurd is this irresistible pop hit? Absurd as your choice of a four-letter word. These girls essentially tell their boyfriends they “don’t gotta go to work” – a source of bread mind you – because they can “work from home.” UGH, really?  It’s further illustrated in the official music video with construction workers and parodied in hilarious fashion in Bart Baker’s twisted interpretation.

Sure, what guy wouldn’t want to oblige Fifth Harmony’s suggestiveness in an ideal, utopian world? Still, no matter how much “work” Fifth Harmony are willing to do with their bodies, is it realistically going to pay the rent, the car payment, the electric bill?  “Bills, Bills, Bills!” Destiny’s Child emphasized that back in 1999 with their The Writings on the Wall  classic! “Can you pay my bills…If you did then maybe we could chill / I don’t think you do / So, you and me are through.”

Get real Fifth Harmony – “tighten up” those harmonies! Lacking in substance or authentic emotion, “Work From Home” is the exemplification of sex on the track, built upon slang and swagger, and ultimately constructed tastefully if ridiculously and unrealistically.  It’s good for flirty, and suggestive fun, but prominent innuendo inhibits it from being transcendent.

2) Rihanna, “Kiss It Better” (Anti, 2016)

Rihanna, Anti © Roc Nation (1)

Simply say the title “Kiss It Better” to yourself.  Then, ask yourself, doesn’t it totally sound like child’s play? Of course it does because as children, many of us can remember mommy saying that she’ll “kiss it better,” referring to a “boo boo!” BUT the all-powerful innuendo gods and/or the pop songwriting/producing gods definitely weren’t writing an innocent pop song. Are there many innocent pop songs anymore? That’s a big, fat, bloated NO. Innocence in modern day pop? NEVER!

“Boy, ya know that you always do it right” definitely isn’t referencing morality but rather the quality of “the act.”  Face it, the double entendre is amplified to the nth degree, causing every lyric to be “read into.” “Do” simply isn’t do anymore, it’s “doing it.” “What are you willing to do? / Oh, tell me what you’re willing to do / (Kiss it, kiss it better, baby).” Translation – that three-letter word, sex.  Yeah, Rihanna’s “Been waitin’ on that sunshine” alright!

3) One Direction, “No Control” (Four, 2014)

One Direction, Four © Columbia

After a while, don’t all boy banders get sick of all the sweet bubblegum mess? Still, every boyband has to save face, particularly if it’s at a transitional point of their career – the great in-between of the tween years and young adulthood.  That young adulthood means that they are just dying to sing about sex, likely something many have already been “doing” beyond closed doors.  To cut to the chase, if “No Control” is supposed to be masking One Direction’s horniness, it does a poor job.

It’s clear lyrically that One Direction mean business.  They aren’t singing about emotions but rather lust and the physical reactions, rather stimulation behind it.  There’s no way that One Direction gets an “innocence” pass on lyric, “Waking up, beside you I’m a loaded gun, I can’t contain this anymore / I’m all yours, I’ve got no control.”  “Loaded gun” hey? Doesn’t seem to be one that shoots bullets…

It gets even more sensual, unsurprisingly.  “Taste, on my tongue / I don’t want to wash away the night before.” What is that taste, pray tell?  Maybe there’s less sexually-oriented activities that can be interpreted from such a line, but does that even seem possible from twentysomethings? Nah! This is Generation Y after all.

Continue reading “11 Songs Where the Innuendo is Out of Control”

R. Kelly, Black Panties

30 Simply Filthy R&B Songs!


Janet Jackson, Damita Jo

Love hasn’t faded from R&B completely, believe it or not. That said sex is definitely in its trendiest position ever within the genre. Folks, parental advisory labels are popping up everywhere these days and for good reason. Basically, “Darling Nikki” would barely qualify the explicit label these days. Some R&B songs are just simply filthy. Here are 30 simply filthy R&B songs that indulge into the physical as opposed to emotional.

 

1) Usher, “Good Kisser” (2014)  

“Good Kisser” definitely is “not that innocent.” Think kissing a banana… or don’t.

 

2) Marsha Ambrosius, “69” (Friends & Lovers, 2014)

The 2 Live Crew sample confirms the song title is accurate: “Face down, a$$ up / that’s the way we like to…” Catch the drift?

 

3) R. Kelly, “Cookie” (Black Panties, 2013)

Oreos will never taste the same in the hands of R. Kelly. “How many licks does it…” – sorry that’s a Tootsie Roll.

 

4) Rihanna, “Cockiness (Love It)” (Talk That Talk, 2011) 

Can you say double entendre? The key words that stand out are suck, cockiness, lick, eat, swallow, and come. Rihanna – you so nasty girl!

 

5) Trey Songz “Love Faces” (Passion, Pain & Pleasure, 2010)

The only thing the song title leaves to the imagination are the facial expressions Trey and his girl make as they do it. Yep, that’s it in a nutshell.

 

6) Kelly Rowland, “Kisses Down Low” (Talk A Good Game, 2013)

Any time the word “arch” is used in an R&B song, it’s definitely not referring to the foot.

 

7) R. Kelly featuring Ludacris, “Legs Shakin’” (Black Panties, 2013)

There’s no restless leg syndrome going on here… Need clarification: “I’m goin’ down, down, down / and do it ‘til your legs shakin’.” There it is.

 

8) Tweet, “Oops Oh My” (Southern Hummingbird. 2002)

Self-love may be a common occurrence, but it’s doesn’t commonly occur via the pop song. Well, ‘cept for Tweet’s “Oops Oh My.”

 

9) Jeremih, “Birthday Sex” (Jeremih, 2009)

Few would deny this would be a fantastic birthday gift. The even better gift would be if everyday could be your birthday. Think about it.

 

10) Estelle, “Make Her Say (Beat It Up)” (2014)

Imagination is a thing of he past apparently. Estelle keeps it 100. In fact, she keeps its 150.

 

11) Janet Jackson, “Sexhibition” (Damita Jo , 2004)

So basically Janet and company combined the words “sex” and “exhibition.” It is what it is, though it seems kind of redundant – particularly at the end when Janet says, “relax, it’s just sex.”

 

12) Kelly Rowland, “Motivation” (Here I Am, 2011)

Well at least Kelly found a different way to sing about sex – her plan is to “be your motivation.” And to add, “And when we’re done, I don’t wanna feel my legs…” Whoa – “oh lover” is right!

 

13) Beyoncé, “Rocket” (Beyoncé, 2013)

The opening lines let the listener know they’re in for a ride: “Let me sit this a$$ on you…”

 

14) Jaheim, “P**** Appreciation Day” (Appreciation Day, 2013)

Talk about being dramatic: “So warm it’s so soft, it’s so tight, it’s the greatest / so I laid in it, played in it / stayed their ‘til daybreak…” Freaky, freaky, freaky!

 

15) T-Pain, “Put It Down” (Epiphany, 2007)

Wonder what Teddy Pain means when he says, “I’mma stick, stick, stick, stick, ooh?”

Continue reading “30 Simply Filthy R&B Songs!”

The Dream Returns with ‘Royalty – The Prequel’ (EP)


Before his questionable  IV Play album (and maybe even 1977 released initially for free credited to Terius Nash),  The-Dream was considered to be one of the most unique and consistent artists in contemporary R&B.  Sure, he’s always been foul-mouthed and risqué, but who ain’t these days? View this post on Instagram THAT FEELING!!! #ONYX A post shared by THE-DREAM (@thekingdream) on Mar 6, 2014 at 11:56am PST Anyways, after the bomb … Continue reading The Dream Returns with ‘Royalty – The Prequel’ (EP)

Mary J. Blige Shines on ‘Think Like A Man Too’


Review – Think Like A Man Too Cutting to the chase, there’s one reason why the Think Like A Man Too soundtrack is buzz worthy aside from the film itself – Mary J. Blige handles performance duties across all 14 tracks. In other words, rather than being a compilation like many soundtracks tend to be, Think Like A Man Too is more like a new … Continue reading Mary J. Blige Shines on ‘Think Like A Man Too’

The 10 Most Disappointing Albums of 2013…


Throughout 2013, I’ve had the opportunity to review lots of albums.  Some were extremely special (Vampire Weekend, Modern Vampires of the City among ‘em), while others were D-I-S-A-P-P-O-I-N-T-I-N-G. Not to be a negative noodle or kill anyone’s happy vibe, but sometimes artists lay an egg… a really rotten one.   Not every album here is just awful, but contextually, they didn’t quite live up to the … Continue reading The 10 Most Disappointing Albums of 2013…

Opinion: I Love R. Kelly, But… ‘Black Panties’ Oversteps


  R. Kelly is one of the most interesting cats in the R&B game; few would deny this.  Personally, he’s always been one of my favorite R&B artists – don’t judge me!   Throughout an illustrious career, Kelly has teetered and tottered between risqué bedroom music and more balanced, sometimes conservative, soulful affairs.  Spend the time examining Kelly’s rich and varied discography, and the evidence of … Continue reading Opinion: I Love R. Kelly, But… ‘Black Panties’ Oversteps

Comparing Five R&B Artist’s First Week Sales in 2013 to Their Previous Effort


R&B just ain’t what it used to be commercially, period.  2013 has not been a great year to be a ‘soulful’ singer not because of the quality of releases, but because the genre suffers with its sales relevance.  Yeah, the motto that ‘sales aren’t everything’ still carries weight as there are times when art for art’s sake is notable. However, when it comes to major … Continue reading Comparing Five R&B Artist’s First Week Sales in 2013 to Their Previous Effort

Album Playlist: Favorites, Least Favorites, and Honorable Mentions of 2013, Part 2…


Welcome all who dare to part deux of my Favorites, Least Favorites, and Honorable Mentions of 2013 for all who dare to enter the brentmusicreviews zone! Ha… If you missed the first part (Favorites, Least Favorites, and Honorable Mentions of 2013, Part 1), you should like totally check out my favorites from 2013, ‘cause there was some awesome albums.  If you’re not one for positivity … Continue reading Album Playlist: Favorites, Least Favorites, and Honorable Mentions of 2013, Part 2…

2013 Chart Trends: 5 Underachievers and 5 Overachievers


“You win some and you lose some.” At least, that’s what they say.  That’s the case with numerous albums in 2013.  I have chosen five albums that exceeded sales expectations and five albums that fell short of expectations.  Let’s see who made my list… The Overachievers  Honorable Mention(s): Justin Timberlake, The 20/20 Experience (no. 1 bow, 968,000 copies sold it’s first week);  Ariana Grande, Yours … Continue reading 2013 Chart Trends: 5 Underachievers and 5 Overachievers