Review: MGMT, ‘MGMT’


Alt-Rock’s Trippiest Band Keep on Trippin’ Three Albums In… 

MGMT⎪ MGMT⎪Columbia ⎪⎪ US Release Date: September 17, 2013

MGMT11-20130809-79Juicy J recently released an album entitled Stay Trippy.  True to it’s title, it was most certainly trippy, amped up by its consistent references to the excesses of the hip-hop lifestyle: drugs (lean, weed, mollies) and girls.  Although vet Juicy J does a fine job of promoting continual irresponsibility by living it up and “putting it on wax”,  Alternative rock band MGMT, three albums in mind you, do a superb job with all things ‘trippy’ themselves.  The trippy-ness that is MGMT must be fueled by their love of psychedelia, bright, minimal synths, and almost surely drug paraphernalia (LSD perhaps).  Their self-titled third set both allures and overindulges in its lush spaciness, playing very true to the MGMT script and delivering another fine affair.

Alien Days” is a brilliant opener that impresses more and more with each successive listen. Trevor Napoli provides a child singing at the opening, which further adds to the mysterious, left-field sensibility of the cut.  After Trevor’s feature ends, a groove helps to add some more ‘traditionalist’ nature to the cut, further anchored by a rich bass line.  The lyrics are incredibly poetic, a trend that dominates throughout MGMT.  Among my favorites? “Numbers can’t decide if the day’s supposed to smile” or the true thought-control playing “Those days taught me everything I know / how to catch a feeling and when to let it go…” Ultimately, MGMT outdo themselves here.

MGMT-music-f04Cool Song No. 2” has a tough act to follow, but manages to remain consistently strange and creative.  With nonchalant vocals by Andrew VanWyngarden further leading the mysterious charge, the lyrics take on an even more reflective tone surprisingly: “If you think that you’re free (like a kite) / watching as it goes by (spy the unknown) / focus on the quiet oars / tell me how far you’d go (go where you like) / I know your air won’t last (last one to know) / would you feel better holding the stars up…” Heavy stuff, but good stuff.  Plus, the piano adds a nice timbre to the mix.

Mystery Disease” feels more accessible than the first two.  There is no chorus per se, but the continual return to the titular lyric gives this song a catchiness about it.  Lyrics such as “Floating impatience / snuffs my limited sapience / black smoke as soon as the pressure’s released / deep space sights, the Mystery disease…” certainly allure.  Throw in a minor key into the mix, and that ‘mystery disease’ truly is dark and mysterious.

On follow-up “Introspection”, MGMT feels a bit less captivating than the previous three, but the careful listener still finds plenty to feast their ears and minds into. The ever popular references to religious skepticism and atheism raise an eyebrow on the noble chorus: “Introspection, what am I really like inside / introspection, why have all the prophets lied…” Prophets such Biblical ones? You be the judge.  If “Introspection” left you wanting more (doubtful given it’s consistency), “Your Life Is A Lie” serves up just the right dosage to more than whet your palate. Pessimistic yet centered in a major key, “Your Life Is A Lie” packs a knockout in just over two minutes.  Maybe the best play on words is “Tell your wife / this is your life / you life is a lie / this is your wife / now she knows, she understands / her life is a lie / nobody wins / try not to cry…” At least it’s a pleasing pessimistic song, right?

Good and sad come together to form the oxymoronic “A Good Sadness”, which continues on MGMT’s odd track.  The cut grows incredibly dense and less accessible, coming over as more soundscape by the end than say notable, memorable song.  Experimental, it is interesting if overindulgent.  “Astro-Mancy” sports busy production work, but a persistent rhythmic groove from the start definitely provides the listener with something to latch on to.  Again, poetry drives the lyrics, led by the incredibly clever “For all I know we were sleeping / arranged like Fate’s vain infantry / stacked in unconscious opposition / blind and happy for tomorrow…” Talk about ‘staying trippy’!

MGMT-music-f01I Love You Too, Death” opens with pervading minimalist ideas – shocker right? Eerie, VanWyngarden certainly paints death with his vocal approach and those top-notch lyrics.  “Cashiers won’t deduct the pain / loneliness sleeps on the couch…” or “generations of defeat / always assuming you’re the worst…”. Ouch.  What makes it even more strange is that the cut which begins so ‘deathly’ off-putting transforms into ‘love’ by settling into a major key area.  Who’d a thunk it?

Plenty of Girls in The Sea” is much more straightforward than a number of its colleagues, not to mention its length arriving as the second shortest cut.  Like “Mysterious Disease”, there is no chorus, but the titular lyric once more serves as a central hooking lyric.  The best lyric: “The surgeon performs precise little cuts / but he’s never perfect, he’s thinking too much / and it’s really no comfort to me / there’s plenty of girls in the sea…” Closer “An Orphan of Fortune” ends the effort solidly, though not MGMT-music-f02quite as magnificently as it opened.  Still, with plenty of lyrical prowess at work not to mention continually impressive productions, “An Orphan of Fortune” still  seeks some spins.

Ultimately, MGMT is another well-rounded, strange yet captivating MGMT album. Odd, beautiful, oxymoronic, spacey, and left-field, there is plenty of magic to be experienced by the open-minded listener.  It won’t be for everybody, but if you enjoy out-of-the-box music and prefer MGMT on their experimental vibe, then MGMT should please you.  Better than Congratulations? Nah, but definitely worth the purchase.

Favorites: “Alien Days”; “Cool Song No. 2”; “Mystery Disease”; “Your Life Is A Lie”

Verdict: ✰✰✰✰

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