Tag Archive | John Legend

Frozen Proves to be the Shining Moment on an ‘Ice Cold’ Albums Chart


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Well, another week and another chart and guess who’s on top – yep you guessed it, the Frozen Soundtrack. While sales aren’t exactly hot across the board, the additional 133,000 copies that the unstoppable soundtrack sold are solid, particularly compared to the rest of the albums.   How sound is 133,000 copies? Well according to Billboard, Pharrell ascended back to his peak position (no. 2) this week, selling 29,000 copies. Talk about April being the month of the music sales drought!

71gh3xPpjvL._SL1500_Honestly, the news on the charts isn’t good, particularly since a holdover like G I R L outsold the new entries. MercyMe bring little inspiration where sales are concerned, dropping Welcome to the New at no. 4 and a modest 26,000 copies. Black Label Society isn’t too far off, as Catacombs of the Black Vatican lands at no. 5. SoMo, t
he third new offering in the top 10, seems to have a small ceiling given a no. 6 bow with 23,000 copies sold. Still, there is prestige in claiming a Billboard top ten album – some better known/veteran R&B artists have yet to accomplish the feat. Saddest in regards to numbers is Martina McBride, whose soul covers album Everlasting sold a scant 21K. While the no. 7 bow isn’t shabby, the numbers aren’t impressive. Ultimately, it seems the four newbies in the top 10 underwhelmed in regards to their impact. Then again, everything is underwhelming – save for Frozen.

81cg4cMMqIL._SL1500_On the Hot 100, Pharrell Williams continues to sit pretty at no. 1 with “Happy”. Keeping R&B locked up at the top, John Legend continues a remarkable run with “All of Me” at no. 2. As far as albums that should make some sort of impact next week, August Alsina (Testimony) and Jason Derülo (Talk Dirty) are among the group. Ingrid Michaelson is also in the mix with Lights Out. Still, April seems to be absent of a true blockbuster album with commercial footing.

5 Seconds of Summer Settle For No. 2


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5 Seconds of Summer, the new Australian teen band, has nothing to hang their heads about; debuting at no. 2 with 143,000 copies of a four-song EP (She Looks So Perfect) is definitely notable.  Settling for that no. 2 spot behind the unstoppable Frozen Soundtrack (149,000 copies sold) – well that should boost confidence even more considering no one can end Frozen’s run.  After the slim margin separating album nos. 1 and 2, there is a huge gap.  Chevelle’s La Gargola sold 45,000 copies, good for the no. 3 spot.  Former “Jar of Hearts” pop singer/songwriter Christina Perri debuts at a familiar spot (no. 4), but does so smaller numbers for sophomore album Head or Heart (40,000 copies).  Country gets its representation from Dan + Shay, who sold 29,000 copies of Where It All Began (no. 6).  Nickel Creek also get a top ten berth, selling 27,000 copies of their first album following a lengthy hiatus, Why Should the Fire Die?  Hey, they don’t call it lucky no. 7 for no reason, right?

On the songs chart, specifically the Billboard Hot 100, Pharrell Williams continues to make us all “Happy” for yet another week, according to Billboard.  What is most shocking to me is that John Legend’s “All Of Me” is so hot, though I felt the hit potential when the underappreciated Love in the Future arrived in September 2013.  For R&B and for Legend, the popularity of the rather conservative track is awesome.

Next week doesn’t seem electrifying as far as notable new releases.  Still, albums arrive from Martina McBride (Everlasting), MercyMe (Welcome To The New), James Durbin (Celebrate), and SoMo (SoMo) among others. “It is what is”.

Can’t Just “Let It Go”: Frozen Soundtrack Is No. 1 Once More


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After six non-consecutive weeks atop the Billboard 200 Albums Charts, the Frozen Soundtrack makes it a seventh week at the penthouse. This week, Frozen rallies to sell a gargantuan 202,000 copies. I guess folks just can’t “Let It Go” – bad joke, I know.  I’d say that the release of the album to DVD/Blu-ray/Digital likely had a role in elevating those sales. After Frozen, things get a bit hairier.

61RmtewJi0L._SL500_AA280_YG debuts at no. 2 with album My Krazy Life, which sold 61,000 copies.  61,000 copies isn’t a bad number, but don’t call it sexy either.  Foster The People land at no. 3, moving 54,000 copies of Supermodel, their second album.   Skrillex follows at no. 4 with Recess, which sold 47,000 copies.  Apparently there were physical copies of Recess, though when I visited the CD section, I was unable to find it – it obviously got its sales totals from digital sales.  Rock band The Pretty Reckless bow at no. 5, with 35,000 copies sold of Going to Hell (charming title, right?).  Enrique Iglesias’ Sex and Love enters in at no. 8 with a tepid 24,000 copies while Taking Back Sunday land at no. 10 with 22,000 copies sold of Happiness Is. Iglesias and Taking Back Sunday have both had better days where sales are concerned.

Happy” continues to be the story on the Billboard Hot 100 as Pharrell Williams’ infectious throwback R&B single is a big-time hit. Perhaps more surprising is the success of John Legend’s “All of Me”, which according to billboard.com has risen to no. 2 this week!  Two R&B tracks sit in the top two of the Billboard Hot 100 – shocking!

Several new releases landed in the top 10 this week, even though the numbers were so-so for some.  Next week, new albums arrive courtesy of Shakira (Shakira), Karmin (Pulses), Johnny Cash (Out Among the Stars), Erica Campbell (HELP), and My Chemical Romance (May Death Never Stop You: Greatest Hits 2001 – 2013) among others. All should definitely have no trouble charting and making some noise.

R&B: The Good & Bad Takeaways So Far in 2014


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2014 has been a mixed year for R&B.  There’s been some good and there has also been so bad.  Even though R&B is still struggling, 2014 has allowed for R&B to have its moments.  Then again, it’s also had its bombs…big time bombs. 

The Good :)

Beyonce3-20130903-63Beyoncé gave R&B a shot in the… well she gave it a shot of commercial relevance with her ‘visual album’

Alicia Keys regains some lost swagger, besting John Legend for the Grammy award for Best R&B Album

 Sharon Jones shows she’s back with a vengeance following cancer on her new LP (with The Dap-Kings), Give The People What They Want

Toni Braxton & Babyface perform better than expected commercially on Love, Marriage & Divorce (66,000 copies sold the first week)

Pharrell WilliamsG I R L debuts at no. 2 and sells a respectable 112,000 copies…

The Recording Academy finally recognizes Robin Thicke with multiple Grammy nominations, albeit in pop categories.

Ashantiz-20140127-165Ashanti’s long-delayed BraveHeart sells 28,000 copies and keeps her top ten Billboard 200 streak alive; better than expected after a lengthy hiatus and a switch from major to indie

John Newman (Tribute), Daley (Days & Nights), and Sam Smith (Nirvana EP) bring top-notch Brit-soul to America.

Algebra Blessett delivered one hot independent R&B album with Recovery (eOne).

Electronic duo Phantogram give legendary soul group The Chi-Lites some love on their song “Bill Murray” (Voices), which samples “The Coldest Days of My Life”.

Bruno Mars was awesome at the Super Bowl.  Classify him as pop if you want to, but Bruno has plenty of soul.  Oodles of it!

The Bad :-(

81hOVzIzucL._SL1500_R&B STILL doesn’t sell like it used to (except for Bey…)

Tamar Braxton gets no Grammy love for her powerful adult contemporary R&B hit “Love & War”… guess it didn’t matter how much she was fighting for love…

No Grammys for Fantasia’s Side Effects Of You? Guess that’s what happens when one is nominated alongside Rihanna.

Candice Glover debuts with embarrassing numbers for her debut R&B album Music Speaks; additionally the numbers are south of R&B contemporaries (no. 14, 19,000 copies)

Going back to that American Idol thing, Ruben Studdard released his sixth album, Unconditional via Verve. It got very few bites… that would be an understatement.  But this again, his debut did have that song “No Ruben” on it… just saying!

41u6FsCRi-L._SL500_AA280_John Legend doesn’t win a Grammy of any sort for Love in the Future, a truly brilliant, soulful affair… just wrong! Do we have no appreciation for one of the classiest, soulful artists of our generation?

Ashanti’s numbers suck (regardless of the “good” point)… 28,000 copies, really? #NOSWAG

British R&B singer Daley’s debut album, Days & Nights got slept on big-time… Where was the promotional intensity? Dude can blow vocally!

Ty Dolla $ign is, um, NASTY! Have you heard Beach House (EP)?

Did I mention R&B doesn’t sell like it used to? I thought so.

 

Schoolboy Q Takes Oxymoron To No. 1


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Ah, who doesn’t love a good ‘come-up’ story? Schoolboy Q has reason to celebrate as his third LP Oxymoron takes over the no. 1 spot on the Billboard 200 Albums Chart.  Apparently, them “Collard Greens” were pretty potent, as 139,000 people decided to add Oxymoron to their music collection.  139,000 copies isn’t the ‘end all be all’ in regards to album sales, but its definitely sound for what could be considered an up-and-comer, even three albums into a rap career.  Compared to his colleague Kendrick Lamar, the numbers are less favorable (Good Kid M.A.A.D. City missed the top spot, but sold 241,000 copies), though Kendrick also had bigger buzz surrounding him at the time, not to mention the fourth quarter to propel him.

51X7l6td0ML._SL500_AA280_Schoolboy Q fended off that feisty Frozen Soundtrack, which continues to put up respectable numbers.  This week, the magic number for the runner up was 91,000, which according to billboard.com was an increase from the previous week.  Frozen kept another new release and veteran, Beck from the runner-up spot.  Beck settles for no. 3 with 87,000 copies sold of Morning Phase, his first album in six years.  Even though Beck couldn’t match a previous high watermark – a no. 2 peak for 2005 effort Guero – or its robust 162,000 copies start, he managed to outperform prognostications.

41644n4bcLL._SL500_AA280_Surprise albums seem to be all the rage these days, with Kid Cudi’s oddball Satellite Flight: The Journey to Mother Moon fitting right into the trend.  Kid Cudi doesn’t quite have the Beyoncé effect, but does debut at no. 4 with 87,000 copies.  Compared to last year’s slightly more accessible Indicud, the numbers are down for the left-field rapper.  In fact, Satellite Flight is Cudi’s lowest debuting album as of yet.  The next closest in terms of his discography was his debut, Man on the Moon: The End of Day, which sold 104,000 good for a no. 4 bow.  Previous album Indicud debuted at no. 2 selling 136,000 copies.  Indicud was a drop-off itself, specifically from Cudi’s sophomore album, Man on the Moon: The Legend of Mr. Rager, which debuted at no. 3, but sold 169,000 copies.  Is Scott Mescudi just too odd for sustainable commercial success? Perhaps.

81U1dPInpIL._SL1500_Keeping things close (and new), Romeo Santos debuts at no. 5 with Formula: Vol. 2.   Formula sold 85,000 copies, awesome numbers for a Latin album.  Dierks Bentley didn’t quite get in on the “80s” action (80K that is), but Riser did debut at no. 6 with 63,000 copies.   63,000 copies doesn’t have much of a ceiling itself, but Bentley isn’t exactly country’s most consistent selling male artist. Still, 63,000 copies isn’t too shabby. The Fray would’ve enjoyed being even remotely close to 63K; they settle for a no. 8 bow and 37,000 copies sold of Helios.  Seems like the popularity of “Over My Head (Cable Car)” hasn’t translated to the band’s more recent efforts.   Other than Frozen, the only holdovers are Eric Church (The Outsiders), Now 49, and Beyoncé (Beyoncé). Good sales week – finally!

61MyGLb8AuL._SL500_AA280_Pharrell Williams goes into next week’s chart with the momentum of retaining no. 1 on the Billboard Hot 100 (“Happy“).  Pharrell’s second solo album GIRL is one of the competitive albums fighting for the top two spots on next week’s chart.  Second solo album you ask? Well ole boy released In My Mind a couple of years back and snagged a Grammy-nomination for the LP.  Rick Ross should have no. 1 locked up as he releases his sixth LP, Mastermind.  With the exception of Ross’ best LP (in my opinion), Teflon Don, Ross has locked down no. 1 four previous times.  Lea Michele wishes she could muster up the numbers expected from Ross or Williams, but according to Billboard prognostications, she won’t come close.  And as for Eli Young Band, well 10,000 Towns is far behind.  I won’t even mention Ashanti’s Brave Heart – it doesn’t have a shot.

Oh and going back to the Billboard Hot 100, what about my homeboy John Legend breaking into that top four (last week I believe)? Who would’ve thought that “All Of Me”, an old school, piano-driven ballad would be a hit in 2014? It remains at no. 4 this week according to Billboard.  Rock on John, rock on!

Retrospective Review: Kanye West, ‘The College Dropout’


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The College Dropout sounds as fresh as ever, ten years later. 

Kanye West • The College Dropout • Roc-A-Fella • US Release Date: February 10, 2004

Kanye West-20131126-42“Sometimes I feel no one in this world understands us / but we don’t care what people say.”  True that, true that.  The aforementioned quote from “We Don’t Care” is a fitting characterization of Kanye West.  Over the course of his career as a rapper, Kanye West has been one of the music’s most polarizing, idiosyncratic characters.  Incredibly creative yet also incredibly complex and likely misunderstood, West has often found himself in trouble for being loud-mouthed and extremely opinionated.  That creativity and frankness has served Mr. West’s music well, even when it’s personally hurt perceptions of him as a person.  But as West would tell anybody, he “gives no f***s”.  Charming.  He certainly gives none on The College Dropout, his tour de force that is the ripe old age of ten.  As difficult as it is to believe, it was ten years ago that The College Dropout changed the rap game forever.  Listening to it ten years later in 2014, the album remains superb losing none of its edge. 

The College Dropout initiates with a silly, though funny “Intro” performed from the by West’s ‘college professor’. “Me and the other faculty members was wonderin’ could you do a lil some…/ somethin’ beautiful, somethin’ that the kids is gon’ love when they hear it,” The professor states. “… somethin’ for the kids for graduation to sing?” The intro serves as the perfect precursor to full-length opening joint, “We Don’t Care”, West’s answer to his professor’s request (“Oh yeah, I’ve got the perfect song for the kids to sing”).

On the real-talk, rebellious  “We Don’t Care”, the hook sums up the sentiment of its title: “Drug dealin’ just to get by / stack ya money ‘til you get sky high (Kids sing, kids sing!) / We wasn’t supposed to make it past 25 / joke’s on you, we still alive / throw your hands up in the sky and yell: We don’t care what people say.” Kids, indeed literally sing the hook, fitting in line with the highly structure narrative/concept of the album.  In addition to the memorable, ‘f**k you’ mentality of the hook, West gives specific examples throughout the verses of the ‘hard-knock’ life and black culture.  Filled with notable lyrics, among my favorite lines is from verse two, as West raps that “The drug game bulimic, it’s hard to get weight / a n***a’s money is homo, it’s hart to get straight / but we gon’ keep bakin’ til the day we get cake / and ‘we don’t care what people say’”.  Unapologetic, West begins the game ferociously.

Unsurprisingly, the professor is unhappy with West’s song choice, opening interlude “Graduation Day” with “What in the f**k was that Kanye!”  The professor goes off on a rant that is as comical as it is offensive.  A then little known John Legend concludes the interlude, referencing different ambitions compared to what others might have.  Even though it is Legend who performs this interlude, he is essentially speaking from West’s perspective.  West, a college dropout, chose a different path (music) as opposed to staying in school (the traditional route).

Popular single “All Falls Down” proceeds, featuring Syleena Johnson channeling her inner Lauryn Hill (Hill’s “Mystery of Iniquity” is interpolated here).  The hook is incredibly simple, yet was one of the most memorable of 2004, being mindful the original appeared in 2002.  “Oh when it all, it all falls down / I’m telling you all, it all falls down,” sings a soulful, raspy Johnson.  West is on autopilot, delivering honest and hilarious rhymes.   Among the best of those is from the first verse: “But she won’t drop out, her parents will look at her funny / now, tell me that ain’t insecure / the concept of school seems so secure / sophomore, three years, ain’t picked a career / she like, f**k it, I’ll just stay down here and do hair.”  The acoustic guitar-driven production and brilliant conception makes “All Falls Down” just another vital reason why The College Dropout is one of music’s modern masterpieces.

Following an interlude entitled “Fly Away” (literally the church tune “I’ll Fly Away”), the brilliant “Spaceship” takes off.  “I’ve been workin’ this graveshift and I ain’t made sh*t / I wish I could buy me a spaceship and fly past the sky,” West sings on the memorable hook.  A song much like “We Don’t Care” depicting the hardships of, “Spaceship” finds West getting the assist from Consequence and GLC.  All three MCs paint a gloomy, though honest picture that’s as vivid as a book.   Over a thoughtful sample of Marvin Gaye’s “Distant Lover”, “Spaceship” was as consistent as the singles from The College Dropout, despite receiving less buzz.   Even though “Spaceship” is pessimistic, Kanye West definitely feels entitled to his newfound success: “Lock yourself in a room doing five beats a day for three summers…I deserve to do these numbers”.  Indeed Mr. West, indeed.

The crowning achievement for The College Dropout was one of the most unique records of 2004, “Jesus Walks”.  Thoughtful, yet not quite ‘sanctified’ in a religious sense, “Jesus Walks” was a pivotal part of West’s career.  The fact that West associated Jesus and rap – two unlike things – was shocking.   Still, Wests makes numerous relevant points throughout, some of which could easily be supported biblically – well with modern interpretation that is.  West’s most memorable series of rhymes reside in his second verse: “We rappers is role models; we rap, we don’t think / I ain’t here to argue about his facial features / or here to convert atheists into believers / I’m just trying to say the way school need teachers / the way Kathie Lee needed Regis that’s the way I need Jesus.” Amen…I think.  Still, I don’t think too many clergymen will take too kindly the line “we eat pieces of sh*t like you for breakfast…” Just saying!

More ‘important’ songs overshadow “Never Let Me Down”, but it’s still high quality work.  This is an early collaboration where West works with his ‘big brother’ Jay-Z, as well as poet J. Ivy. Continuing the practice of sampling (Michael Bolton’s “The Power of Love”), “Never Let Me Down” rolls right along with little to quibble about.  Similarly, “Get Em High” is another solid track overshadowed by better ones.  Notable aside from guests in Talib Kweli and Common is the fact that sampling isn’t employed… shocker.  As always, West’s rhymes are entertaining, though West raps about his ambitions on the first verse: “My teacher said I’s a loser, I told her why don’t you kill me / I give a f**k if you fail me, I’m gonna follow / my heart, and if you follow charts / or the plaques or the stacks / you ain’t gotta guess who’s back, you see.” There it is.  Oh and in regards to the hook, West can’t resist the opportunity to play the double meanings game (i.e. high on weed, hands in the air).  Remember, he don’t care!

After “passing the dro” on “Get Em High”, “The New Workout Plan” was a later single released from The College Dropout.  “The New Workout Plan” definitely has little to do with exercise… it’s all about sex.  West’s hook says it all: “It’s been a week without me / and she feel week without me / she wanna talk it out but / ain’t nothing to talk about / unless she’s talking about freaking out / then maybe we can work it out.”  Of course, even before that, the first verse states West’s intentions: “one and two and three and four get them sit ups right and / tuck your tummy tight and do your crunches like this / give head, stop breathe, get up, check your weave / don’t drop the blunt and disrespect the weed…” I guess West is allotted one track with less depth.

Keeping with he sensual vibes, “Slow Jamz” – a former number one hit – remains as great as it was ten years ago. “Slow Jamz” is reprised on The College Dropout; it originally appeared on Twista’s Kamikaze. Jamie Foxx’s hook is as effective and memorable as ever: “She said she want some Marvin Gaye / some Luther Vandross / a little Anita / Will definitely set this party off right.”  Hearing Twista at his artistic peak on the third verse – sigh – “Those were the days!”

Ludacris comes along for the ride on “Breathe in Breathe Out”, delivering the catchy hook over a killer loop.  “Yeah, breathe in, breathe out / if ya iced up, pulla ya sleeves out / push a big truck, pull ya keys out / girls go wild and pull ya deez out…” The hook is typical Ludacris for sure.  While “Breathe in Breathe Out” is as consistent as anything else, I prefer “School Spirit” and its Aretha Franklin sample “Spirit in the Dark” (from 1970 album of the same title).  As soulful as “School Spirit” is with the sample itself, Tony Williams’ backing vocals add even more sweetness.  A skit both precedes and follows “School Spirit”.

Two Words” follows the final skit of the effort, “Lil Jimmy Skit”.  Like many of the non-singles, “Two Words” could actually go ‘toe to toe’ with the most notable, hyped cuts.  It doesn’t hurt having help from the likes of Mos Def and Freeway, not to mention The Harlem Boys Choir.  Each MC begins their respective verse with the titular lyric, which is a nice unifying touch.   The Harlem Boys Choir truly enhances the hook, offering a legato passage (“Throw your hands up high / ‘til they reach the sky”) underneath West’s brasher rhymes (“Now throw ya hands up hustlers / busters, boosters, hoes / everybody, f**k that / still nowhere to go, still nowhere to go…”).

Kanye West-20131125-70Through The Wire”, perhaps West’s most personal single, still sounds as relevant ten years later as it did in 2004.  The intro sums it up best: “…They can’t stop me from rapping, can they… I spit it through the wire…” The story behind the song was West’s horrific auto accident, which he was fortunate to recover from.  Fittingly, “Through The Wire” samples Chaka Khan’s classic, “Through the Fire”.  “Family Business” is nothing flashy, but is both sound and soulful.  A track like “Family Business” will always register near the bottom of the hierarchy, but still epitomizes West’s total artistry.  Juggernaut “Last Call” receives appropriate placement, given its length and how it sums up the album and West himself.  “Last Call” details West’s ascent and ‘come-up’.  It’s a cut that the listener is less likely to spin, but it does give insight into West.

Ten years later, The College Dropout remains a rap masterpiece.  Scratch that – it’s a masterpiece.  The College Dropout is one of those pivotally important albums of recent times.  Sure, it is hard to find certified classics in the new millennium, but this particular effort is definitely a candidate.  Consistent, creative, and certainly a contrast to other hip-hop albums out at the time, The College Dropout and Kanye West were trailblazers, ushering in the new movement of hip-hop.  Even now, it’s remarkable how exceptionally well this album is assembled.

Favorites:

 “All Falls Down”; “Jesus Walks”; “Spaceship”; “Slow Jamz”; “Two Words”; “Through The Wire”

Verdict: ★★★★★

56th Annual Grammy Award Predictions: Other Notable Categories


51BomNkKT2LThe 56th Annual Grammy Awards Broadcast takes place on Sunday, January 26th.   Previously, following the announcements of the nominations, I made predictions in regards to who I thought would walk out with statues.  After sitting on it a while, it is time to make one last set of predictions before Sunday’s broadcast.  Here goes nothing!  Picks are in bold.

First things first, let’s recap my BIG FOUR predictions:

Lorde-20130618-171Record of the Year (ROTY):  “Get Lucky”, Daft Punk featuring Pharrell Williams & Nile Rodgers

Album of the Year (AOTY): Random Access Memories, Daft Punk

Song of the Year (SOTY): “Royals”, Lorde

Best New Artist (BNA): Kendrick Lamar

Best Pop Solo Performance: 

41XAtgtU1xL._SL500_AA280_“Brave”, Sara Bareilles

“Royals”, Lorde

“When I Was Your Man”, Bruno Mars

“Roar”, Katy Perry

“Mirrors”, Justin Timberlake

This category is notable because often, a couple of the record/song of the year nominees are found in this category.  Here, “Royals” (ROTY and SOTY) and “Roar” (SOTY) are the ‘culprits’.  Logically, don’t bet against those two, no matter how good Sara B., Justin, or Bruno was sounding! My money is on “Royals”.

Best Pop Duo / Group Performance 

41FJb1q2VyL._SL500_AA280_“Get Lucky”, Daft Punk & Pharrell Williams

“Just Give Me A Reason”, Pink featuring Nate Ruess

“Stay”, Rihanna featuring Mikky Ekko

“Blurred Lines”, Robin Thicke featuring T.I. & Pharrell

“Suit & Tie”, Justin Timberlake & Jay-Z

The pop categories in general play a huge role in the biggest awards given out at the Grammys.  There are three huge performances here that simply can’t be ignored: “Get Lucky” (ROTY), “Just Give Me A Reason” (SOTY), and “Blurred Lines” (ROTY).  My gut tells me that Pharrell Williams is going to win one these, likely with Daft Punk.

Best Pop Vocal Album:

61yONCH4jQLParadise, Lana Del Rey

Pure Heroine, Lorde

Unorthodox Jukebox, Bruno Mars

Blurred Lines, Robin Thicke

The 20/20 Experience – The Complete Experience, Justin Timberlake 

Sticking with a previous pick, Justin Timberlake has to be honored, right?  If not him, doesn’t Bruno Mars have to win something?

Best Rock Performance 

41sZvqJTYcL._SL500_AA280_“Always Alright”, Alabama Shakes (Silver Linings Playbook Original Motion Picture Soundtrack)

“The Stars (Are Out Tonight)”, David Bowie (The Next Day)

“Radioactive”, Imagine Dragons (Night Visions)

“Kashmir”, Led Zeppelin  (Celebration Day)

“My God Is The Sun”, Queens of the Stone Age (…Like Clockwork)

“I’m Shakin’”, Jack White

If one big gun were to lose in a smaller category, it would be Imagine Dragons’ “Radioactive”.  However, can the voters really snub such a gargantuan rock record (also nominated for ROTY), even with veterans on the list? I don’t think so.

Best Rock Album

510gRIX6xfL._SL500_AA280_13, Black Sabbath

The Next Day, David Bowie

Mechanical Bull, Kings of Leon

Celebration Day, Led Zeppelin

…Like Clockwork, Queens of the Stone Age

Psychedelic Pill, Neil Young With Crazy Horse

Rock didn’t receive a representative album of the year nomination this year, so this category perhaps is a bit more ‘wide open’.  Three albums stand out in my eyes: 13, The Next Day, and …Like Clockwork.  David Bowie’s comeback might’ve been the big narrative, had Black Sabbath not legitimately reunited (meaning Ozzy Osbourne on vocals).  Any of the five could win here, but I’ll put my money on Black Sabbath.

Best R&B Album

41o5xUIKO+L._SL500_AA280_R&B Divas, Faith Evans

Girl On Fire, Alicia Keys

Love in the Future, John Legend

Better, Chrisette Michele

Three Kings, TGT

I love you Alicia Keys, but I’ll give the edge to John Legend here.

 

Best Rap Performance

51-mkLBVPoL._SL500_AA280_“Started From the Bottom”, Drake

“Bezerk”, Eminem

“Tom Ford”, Jay-Z (Magna Carta…Holy Grail)

“Swimming Pools (Drank)”, Kendrick Lamar (Good Kid, M.A.A.D. City)

“Thrift Shop”, Macklemore & Ryan Lewis

Even though Kendrick Lamar and Macklemore & Ryan Lewis are nominated for AOTY, this category feels more wide open given the superb choices. I still think “Thrift Shop” may be too big to ignore, but “Started From The Bottom” definitely was notable.  Kendrick’s “Drank” is no slouch either.

Best Rap / Sung Collaboration: 

51BomNkKT2L“Power Trip”, J. Cole featuring Miguel (Born Sinner)

“Part II (On The Run)”, Jay-Z featuring Beyoncé (Magna Carta…Holy Grail)

“Holy Grail”, Jay-Z featuring Justin Timberlake (Magna Carta…Holy Grail)

“Now or Never”, Kendrick Lamar featuring Mary J. Blige (Good Kid, M.A.A.D. City)

“Remember You”, Wiz Khalifa featuring The Weeknd (O.N.I.F.C.)

Another category I am torn on, sigh.  “Power Trip” stands out as does “Holy Grail.” That said, the more and more I hear “Now or Never”, it is incredibly difficult to deny.  Mary J. Blige is a Grammy darling too…

Best Rap Album:

51BomNkKT2LNothing Was the Same, Drake

Magna Carta…Holy Grail, Jay-Z

Good Kid, M.A.A.D. City, Kendrick Lamar

The Heist, Macklemore & Ryan Lewis

Yeezus, Kanye West

Here’s the thing.  Kanye West has never lost when he’s been nominated for Best Rap Album as a solo artist (The College Dropout, Late Registration, Graduation, and My Beautiful Dark Twisted Fantasy).  However, if Kendrick Lamar wins no other award, and if he’s competing head-to-head with Macklemore & Ryan Lewis all evening, I give him the edge here.  Good Kid, M.A.A.D. City is the best album in this category.

Best Country Album: 

41j7-7yboXLNight Train, Jason Aldean

Two Lanes of Freedom, Tim McGraw

Same Trailer Different Park, Kacey Musgraves

Based On A True Story, Blake Shelton

Red, Taylor Swift

The Grammy darling goes home with the award this time around (Swift lost to Lady Antebellum in this category previously for Speak Now).

 

 

The 100 Best Songs of 2013: Complete!


Juicy J-WBU-019355

After a year filled with numerous albums and even more songs, choosing 100 of the best is an incredibly difficult task.  Like with the best albums of 2013, there will be surprises as well as snubs.  Sometimes the snubs are oversights while at other items there are just so many notable songs that some just get lost in the mix.  Regardless, here are 100 songs I found to be notable in 2013.

100

“I Luv This Sh*t”

August Alsina featuring Trinidad James

From album: Downtown: Life Under the Gun

August Alsina has one foul mouth on him, but his real talk mixed with the slower, horn-accentuated production is a match made in heaven, if a blasphemous one (see the hook).

99

“Cabaret”

Alice Smith

From album: She

According to highly underrated alt-R&B musician Alice Smith, Hollywood isn’t very kind: “I see no reason for chasing / in Hollywood, got to lose my patience / want this life to be a cabaret…” Hollywood may not be for the ‘faint of heart’, but “Cabaret” it self is brilliant.

98

“Every Man Should Know”

Harry Connick, Jr.

From album: Every Man Should Know

Sometimes the simplest, and most important life lessons to become a gentleman are best conveyed through song, preferably a mix between traditional pop, jazz, and country.

97

“Sophomore”

Ciara

From album: Ciara

Judging by this track, Ciara is far from being a ‘freshman’… definitely. “I ain’t no amateur / baby I know how to handle ya / If you ready for this ride, get your saddle up / I need a boy with some stamina…”

 96

“Golden Salvation (Jesus Piece)”

Wale

From album: The Gifted

We expect nothing less than Wale’s clever wordplay between “piece” and “peace”, particularly on an album titled The Gifted.  Specifically, Wale informs us that too many people don’t want to hear about Jesus or his ‘peaceful’, Christian approach; they’re more concerned about the bling-bling (aka Jesus piece).

95

“Holy Grail”

Jay-Z featuring Justin Timberlake

From album: Magna Carta…Holy Grail

Magna Carta…Holy Grail certainly left plenty to be desired, but few can deny that Jay-Z is one of the kings – all hail, “Holy Grail”!

94

“Unf**kwittable”

Kid Cudi

From album: Indicud 

Basically, Cudi is saying you can’t mess with him… he’s unbreakable… or something like that.

93

“Let Us Move On”

Dido featuring Kendrick Lamar

From album: Girl Who Got Away

Even English singer/songwriter Dido had to get Kendrick Lamar on the track… can’t blame her.  “Let Us Move On” is arguably the best moment from an underrated album nobody bought.   Well, I bought it to be fair.

92

“Vegas Girl”

Conor Maynard

From album: Contrast

The video is a trip…‘course the song is too.  Conor may still have some ‘schmaltz’ about him, but he also has some swag.  Swag on brother – swag on!

91

“Pusher Lover Girl”

Justin Timberlake

From album: The 20/20 Experience

Love and sex have been compared and likened to everything at this point (thanks R. Kelly).  JT decides to make his lady like a drug dealer, only she deals love instead of say cocaine.  What’s shocking is that this album opener works triumphantly.

90

“Clappers”

Wale featuring Juicy J Nicki Minaj

From album: The Gifted

What does one learn from the ‘cellulite anthem’ “Clappers”? That “Shawty got a big ole butt…OH YEAHHHHHH!!!”

89

“Heart Attack”

Demi Lovato

From album: Demi 

I’m not going to front, I’ve been listening to Demi put her “defenses up” all summer…  I don’t think she could really survive the number of heart attacks she’d receive at the hands of my playlist on repeat though…

88

“The Devil Put Dinosaurs Here”

Alice In Chains

From album: The Devil Put Dinosaurs Here

While the Bible doesn’t mention dinosaurs (at least that I can remember off the top of my head), I’m not so sure Satan created them… Regardless, this title track from Alice In Chains’ most recent album was among the best hard rock performances of the year, potential misconceptions and all.

87

“While I’m Alive”

STRFKR

From album: Miracle Mile

While I’m Alive” sports an irresistible, danceable groove; Electronic cues further sweeten things while the soulful guitar is the ‘cherry on top’.  Well written, the theme of “While I’m Alive” is getting past the past, broken relationships, and living ‘while I’m alive.’

86

“Bandz A Make Her Dance

Juicy J featuring 2 Chainz Lil Wayne

From album: Stay Trippy

Everyone needs a good stripper anthem in his (or her) lives, right? On the raunchy “Bandz A Make Her Dance”, Juicy J spits: “Bands a make her dance, bands a maker her dance / All these chicks poppin’ p***y, I’m just poppin’ bands…”

85

“Body Party”

Ciara

From album: Ciara

Just when ‘the art of making love’ was getting boring… Ciara’s here to spice things up!

84

“Her Favorite Song”

Mayer Hawthorne

From album: Where Does This Door Go

Yeah, the accompanying music video is weird, even if the ‘dogs’ are meant to represent guys that are dogs (in theory), but the song is brilliant.  “But when she gets home, she puts her headphones on / she plays her favorite song and fades away…” I do the same thing… well not quite in the same context though…

83

“Brave”

Sara Bareilles

From album: The Blessed Unrest

Here’s the gist of the song: STAND UP AND BE A MAN!!!  $%^!

82

“Trojans”

Atlas Genius

From album: When It Was Now

I promise this song is not about a popular brand of condoms or making love… really:  “Take a picture you could never recreate / write a song / make a note / for the lump that sits inside your throat…” I promise!

81

Forbidden Fruit

J. Cole featuring Kendrick Lamar

From album: Born Sinner

I know, I know – I somehow missed this gem on my “50 Best Rap Songs”, but the atonement is on this broader list.  The one-two punch of J. Cole and Kendrick Lamar is nothing short of fire, period.

80

“Love Me”

Lil Wayne featuring Future Drake

From Album: I Am Not A Human Being II

“Love Me” may have been a shallow as everything else was on I Am Not A Human Being II, but at least it was enjoyably shallow.  “Long as my b*****s love me / I can give a f**k ‘bout no hater…”

 79

“Angel”

Depeche Mode

From album: Delta Machine

Sure, this track is titled “Angel”, but it surely must be representing a dark angel… Mysterious, chilling, and ‘bothered’, “Angel” finds Depeche Mode doing what they do best.

78

“Nosetalgia”

Pusha T featuring Kendrick Lamar

From album: My Name Is My Name

The rap IQ on “Nosetalgia” is off the charts, particularly with Kendrick Lamar collaborating with Pusha.   Pusha T proclaims himself the “Black Ferris Bueller, cutting school with his jewels on…what I sell for pain in the hood, I’m a doctor…” while Kendrick Lamar’s slaughtering verse is capped off with “Go figure mother f**ker, every verse is a brick.” True.

77

“Ain’t It Fun”

Paramore

From album: Paramore 

Ain’t It Fun” may be Paramore’s best track EVER.  Driven by a funky groove, the band goes ‘big’ with a gargantuan bass line, full-force punk-laden guitars, and gospel vocals.  ‘ain’t it fun’? – Definitely!

76

“Pop That”

French Montana featuring Rick Ross, Drake & Lil Wayne

From album: Excuse My French

The raunchiest track from French Montana’s debut album is the best.  It’s all about popping… and I’ll leave it at that!

Read More…

The 100 Best Songs of 2013: Part 4 (#25 – 1)


Lady Gaga-20131031-66After a year filled with numerous albums and even more songs, choosing 100 of the best is an incredibly difficult task.  Like with the best albums of 2013, there will be surprises as well as snubs.  Sometimes the snubs are oversights while at other items there are just so many notable songs that some just get lost in the mix.  Regardless, here are 100 songs I found to be notable in 2013.

25

“Started From The Bottom”

Drake
From album: Nothing Was The Same

Once more, the hook sums it up best: “Started from the bottom now we’re here / started from the bottom now my whole team f**kin’ here…”

24

“Diane Young

Vampire Weekend

From album: Modern Vampires of the City 

‘Dying young’ in it self is a drag, man, but “Diane Young” and its bubbly sound, quick tempo, and sharp-as-a-tack wordplay is a blast! “Baby, baby, baby, baby, right on time!”

23

“Q.U.E.E.N.”

Janelle Monáe featuring Erykah Badu

From album: The Electric Lady 

Catchy, ‘real talk’, soulful, contemporary, and laden with swagger, “Q.U.E.E.N.” proves to be one of the best songs of 2013, regardless of genre. “Am I a freak for dancing around?” Of course not! Monáe even throws some rhymes in there, further showing her incredible artistic versatility and restlessness. Dance on Janelle – dance on!

22

“Who Do We Think We Are?”

John Legend featuring Rick Ross

From album: Love In the Future

Legend impresses lyrically on the soulful, throwback “Who Do We Think We Are?”  Filled with widely interpretable lyrics including “We love, we love, we love the stars / we could fall so hard…”, Legend seems to reference any number of things including stardom, living up life, and/or literally getting high.  Rick Ross balls hard on his assist: “She gets Chanel / Ski trips to Vail / only the highest grade like trees that I inhale”.

21

“Two Fingers”

Jake Bugg

From album: Jake Bugg

From Jake Bugg’s perspective, life hasn’t been easy – Clifton (England) had its issues, though he’s getting moving forward from a rough past.  On this brilliantly penned, retro singer/songwriter cut, Bugg has to “…drink to remember, I smoke to forget…”, and eventually “…hold(s) two fingers up to yesterday / light a cigarette smoke it all away / I got out, I got out, I’m alive, but I’m here to stay.”

20

“F**kin’ Problems”

A$AP Rocky featuring 2 Chainz, Drake & Kendrick Lamar

From album: Long. Live. A$AP

Basically, even though adding an f-bomb technically intensifies problems rather than solving them, the relief of letting the obscenity slip psychologically makes things feel both calmer and better… something like that! LOL! The f-bombs are here for the taking.

19

“Wrecking Ball”

Miley Cyrus

From album: Bangerz

Thank goodness there was more to “Wrecking Ball” than the atrocious video where Miley Cyrus rides the wrecking ball in the nude.  Miley’s shock value seems to be part of her ‘new Miley’ thing, but “Wrecking Ball” it self stands tall without any extra attention-seeking gimmicks.  The refrain alone is shimmering pop at its best.

18

“Black Skinhead”

Kanye West

From Album: Yeezus

“Black Skinhead” was one of the most unapologetic tracks of the year – no questions asked.  Among my favorite lyrics:  I’m aware I’m a wolf, soon as the moon hit / I’m aware I’m a king, back out the tomb b***h!” There it is!

17

“Power Trip”

J. Cole featuring Miguel

From album: Born Sinner 

All about love or a play on double meanings – you decide on the year’s smoothest rap track that’s got Cole “up all night, all I’m singing is love songs…” Face it – you can’t go wrong when you got Miguel on the track! He’s a beast…a sensual one at least.

16

Eminem

“Rap God

from album: The Marshall Mathers LP 2

Eminem confirms whom the real “Rap God” is as he ‘wipes his butt’ with the competition (not as frankly as he might put it, but I’m trying to ‘be good’ here).  No one is exempt – well maybe except for Kendrick Lamar.

15

“Mirrors”

Justin Timberlake

From album: The 20/20 Experience 

On standout track “Mirrors”, Timberlake graces his audience with an eight-minute juggernaut that straddles the lines between pop and urban music.  His falsetto is sweet as syrup, the vocal harmonies superb, with the strings of The Benjamin Wright Orchestra providing the ‘cherry on top.’  The chorus is among the very best moments: “Cause I don’t wanna lose you now / I’m lookin’ right at the other half of me / the vacancy that sat in my heart / is a space that now you hold …”

14

Miley Cyrus

“We Can’t Stop”

From album: Bangerz 

You know, the sad thing is that when Ms. Cyrus told us she “won’t stop,” well, she told the absolute truth.  Who would’ve thought that referencing twerking and popping mollies would only be the beginning? “It’s our party we can do what we want!” Indeed Miley, indeed.

BTW, what about a little parody fun?

13

“Reflektor”

Arcade Fire

From album: Reflektor

“Reflektor” definitely didn’t represent the expected direction many thought that Grammy-winning collective Arcade Fire would take, given its percussive, danceable groove. The cut dances tastefully though, eschewing today’s EDM cues in favor of a mix of neo-disco and traditional Arcade Fire characteristics.  The songwriting is accessible, with the chorus being irresistibly catchy and simple.

12

“Obvious Bicycle”

Vampire Weekend

From album: Modern Vampires of the City

“Obvious Bicycle” is arguably the most beautiful song from Vampire Weekend’s discography at this point.  Highlights of the mysterious opener include Ezra Koenig’s effortless falsetto, which is ripe as ever on the chorus. “Obvious Bicycle” is nothing short of warm and hypnotizing.

11

“A Couple of Forevers”

Chrisette Michele

From album: Better

Chrisette Michele returns the ‘passion’ and ‘romance’ to R&B with this breathtaking, thoughtful ballad.  “Just a couple of forevers / a couple of forevers / I’m the only one, you’re the only one / together ‘til never…” I’ll be your ‘forever’ CM.

10

“Same Love”

Macklemore & Ryan Lewis featuring Mary Lambert

From album: The Heist

This hip-hop anthem embracing tolerance and equality for same-sex relationships was quite a risky, courageous move.  More than just merely breaking barriers, “Same Love” is a brilliant song.

9

“Blood On The Leaves”

Kanye West

From album: Yeezus

Blood On The Leaves” is the crowning achievement from Yeezus. Constructed around a Nina Simone sample (“Strange Fruit”), thoughtful piano, and some awesome biting brass, “Blood On the Leaves” shines like a beacon.

8

“If I Had A Tail”

Queens of the Stone Age

From album: …Like Clockwork

Characterized by a killer driving groove, a classic rock-worthy anthemic chorus, and standout songwriting, “If I Had A Tail” yet another gift that keeps on giving.  “If I had a tail / I’d own the night / if I had a tail / I’d swat the flies.”

7

“We Can’t End This Way”

Ben Harper & Charlie Musselwhite

From album: Get Up! 

Soulful, gritty, and organic, this blues-gospel number is truly a gem.  The backing gospel choir truly puts the cherry on top.  After all, “we can’t end this way!”

6

Do What U Want

Lady Gaga featuring R. Kelly

From album: ARTPOP 

Taken at its most literal (aka sexually), “Do What U Want” is a good song.  When examined figuratively (empowerment, non-shallow things), it’s just plain awesome.  If there was ever a question of Lady Gaga’s vocal abilities, she squashes them deader than a doornail here.

5

Roar

Katy Perry

From album: PRISM 

The lyrics say it all:  “I got the eye of the tiger, a fighter / dancing through the fire / cause I am a champion, and you’re gonna hear me roar…” You better “roar” Katy!!!

4

“God Is Dead?”

Black Sabbath

From Album: 13 

Atheists and Christians alike can appreciate this hard-rocking joint… well to an extent (at least the question mark is in place).  To Ozzy’s credit, later on in the track he states, “I don’t believe that God is dead…” Still, the communion (sacrament) seems compromised when Ozzy states “The blood runs free / the rain turns red / give me the wine / you keep the bread…” Oh well.

3

Blurred Lines

Robin Thicke featuring T.I. & Pharrell Williams

From Album: Blurred Lines

Even after multiple controversies surrounding “Blurred Lines” (misogyny and potential ‘artistic theft’), Robin Thicke’s career is thankful for the gift that just kept on giving. You can’t deny how catchy it is, or how slick ole boy’s falsetto is.

2

“Royals

Lorde

From album: Pure Heroine 

Now this teen has real swag… Justin Bieber, take notes!  “And we’ll never be royals / it don’t run in our blood / that kind of lux just ain’t for us / we crave a different kind of buzz…”

1

“Get Lucky

Daft Punk featuring Pharrell Williams

From album: Random Access Memories

The groovy, sexy “Get Lucky” only makes the act of ‘making love’ even more enticing.  Pharrell sings it best on the golden hook: “She’s up all night to the sun / I’m up all night to get some / she’s up all night for good fun / I’m up all night to get lucky…” Yeah boy!

Be sure to check out the previously released parts with songs #100-76, #75-51, and #50 – 26.

The 100 Best Songs of 2013: Part 3 (#50 – 26)


Panic At The Disco-PFR-010814After a year filled with numerous albums and even more songs, choosing 100 of the best is an incredibly difficult task.  Like with the best albums of 2013, there will be surprises as well as snubs.  Sometimes the snubs are oversights while at other items there are just so many notable songs that some just get lost in the mix.  Regardless, here are 100 songs I found to be notable in 2013.

50

“Drunk In Love”

Beyoncé featuring Jay-Z

From album: Beyoncé

Well, since Beyoncé and Jay-Z are husband and wife, it’s probably fine for them to be ‘drunk’ off of each other’s love.  That said, some of the personal side of that ‘romance’ is made public on this bold track from the surprise ‘visual’ album.  It is what it is…

49

“Netflix”

2 Chainz featuring Fergie

From album: B.O.A.T.S. II: #METIME

You know how fitness trainer Shaun T. says he “don’t do anything but abs”? Well 2 Chainz don’t do anything but stupid.  At least he does it like a pro.  Making a sex tape and putting it on Netflix may be genius, maybe. LOL!

48

“Wait For Me”

Kings of Leon

From album: Mechanical Bull

Caleb Followill explains it best: “It’s all better now, it’s all better now / wait for me, wait for me.”

47

“Who I Am”

Pusha T featuring 2 Chainz & Big Sean

From album: My Name Is My Name

Because Pusha T and his star-studded crew stay true to themselves, they shine on “Who I Am”.  “Woo! They said be all you can be / Woo! They said be all you can be / I just wanna buy another Rollie / I just wanna pop another band / I just wanna sell dope forever / I just wanna be who I am.” To each his own… not that I wouldn’t mind a Rollie let alone more than one!

46

“Wildfire”

John Mayer

From album: Paradise Valley

“Wildfire” is a folksy/roots/country/pop hybrid that sounds incredibly distinct from anything Mayer has released previously. Vocally, Mayer sounds clear and enthused, shedding with mad skill (as always) on the guitar. 

45

“Do I Wanna Know?”

Arctic Monkeys

From album: AM

Ah, drunken confessions of love.  Alex Turner is honest on this exceptional opener from Arctic Monkeys’ most recent effort, AM: “Crawlin’ back to you / ever thought of calling you when you’ve had a few? / ‘Cause I always do / Maybe I’m too, busy being yours to fall for somebody new…” You get the idea!

44

“All American Boy”

Steve Grand

Has there ever been a viral hit that was such a ‘hit’ as “All American Boy”? Steve Grand’s country song with a gay love storyline made a gargantuan impact, everywhere.  Because homosexuality and country are rarely associated with one another, “All American Boy” like “Same Love” was to hip-hop, breaks down social barriers.

43

“Take A Fall For Me”

James Blake featuring RZA

From album: Overgrown

At the beginning of “Take A Fall For Me”, James Blake claims that, “You can’t marry her yet…” RZA goes on later to state “I heard through the grapevine that great love, it takes time / sex shapes the body, truth shapes the mind…” So basically, this track seems to be about a relationship that is incomplete of all the necessary facets, or something along those lines.

42

“Shabba”

A$AP Ferg featuring A$AP Rocky

From album: Trap Lord

Ferg and Rocky are on that “Sha-Sha-Shabba Ranks”… rings, change, gold teeth, women… Sound so appealing, doesn’t it?

41

“Primetime”

Janelle Monáe featuring Miguel

From album: The Electric Lady

Sometimes, a great R&B duet doesn’t have to be oversexed or completely stripped of its romance.  “Primetime” is a perfect example of this.  The vocal chemistry between Janelle Monáe and Miguel is magnificent.

40

Kisses Down Low

Kelly Rowland

From album:  Talk A Good Game

Ooh Kelly, you so nasty! “I like my kisses down low / makes me arch my back / when you give it to me slow / baby just like that…” When the word ‘arch’ is used in a song, it’s rarely referencing the ‘arch’ of the foot… just sayin’!

39

“Retrograde

James Blake

From album: Overgrown 

“Retrograde” finds Blake channeling his urban side superbly, accompanied initially by piano.  Blake’s initial vocal runs sounds indigenous to R&B or gospel, making “Retrograde” all the more unique. Things truly grow epic on pivotal line “Suddenly I hit,” where excitement reaches a lofty peak.

38

“Almost Is Never Enough”

Ariana Grande featuring Nathan Sykes

From album: Yours Truly

Duet “Almost Is Never Enough” should be incredibly sappy but it isn’t!  Grande and boyfriend Nathan Sykes (of The Wanted) sport sound vocal chemistry on this enjoyable track. A musical oxymoron of sorts, “Almost Is Never Enough”, is soulful, yet contemporary, and old school, yet fresh.

37

“Made Up Mind”

Tedeschi Trucks Band

From album: Made Up Mind

If one was unconvinced just how resolute Susan Tedeschi was, listening to her gritty, passionate performance on the bluesy “Made Up Mind” erases all doubts.  She can S-A-N-G!

36

“Without Me”

Fantasia featuring Kelly Rowland & Missy Elliott

From album: Side Effects Of You

Guys are totally in the ‘doghouse’ on this jam from Fantasia and friends, but even they can’t resist the nodding of head or the tapping of foot.

35

“Florida

Jaheim

From album: Appreciation Day

Jaheim spent most of Appreciation Day ‘appreciating’ women, but he took a detour to go socially conscious on the phenomenal “Florida”, a track questioning the controversial Treyvon Martin verdict.  Sure Jaheim sounds inspired when he’s singing of pleasure, but he sounds equally, if not more powerful, singing of pain and repercussions here. 

34

“Ya Hey”

Vampire Weekend

From album: Modern Vampires of the City

Someone’s not been going to church lately… “Ya Hey” is a play on the word “Yahweh”, which refers to God.  Can you say blasphemous? Religious stance aside, “Ya Hey” is another creative song courtesy of everyone’s favorite vampires. They sure know how to bite!

33

“Bugatti”

Ace Hood featuring Future & Rick Ross

From album: Trials & Tribulations

I rarely compliment Future (I’ve been pretty critical), but “Bugatti” sports Future’s best hook of the year/perhaps ever… “I woke up in a new Bugatti!”

32

“Touch”

Daft Punk featuring Paul Williams

From Album: Random Access Memories

On the warm and beautiful track “Touch”, Paul Williams delivers a superb vocal performance against an excellent neo-disco styled backdrop. There’s not a thing wrong with that retro swag!

31

“Hold On, We’re Going Home”

Drake featuring Majid Jordan

From album: Nothing Was The Same

“Hold On, We’re Going Home” has nothing at all  ‘hip-hop’ about it. Despite this, this 80s-styled R&B/pop cut is nothing short of a pleasure to partake of. It’s like the most delicious dessert ever… Scrumptious!

30

“Miss Jackson”

Panic! At The Disco

From album: Too Weird to Live, To Rare to Die 

“Miss Jackson” (featuring Lolo) finds Panic! At The Disco front man Brendon Urie using his contemporary R&B chops, with some emo-pop swag of course! Catchy and manic, “Miss Jackson” is nothing short of pop gold.  And as “nasty” as Miss Jackson is, “…[he] love her anyway!”

29

All of Me

John Legend

From album: Love in the Future

The thoughtful, radiant “All Of Me” strips down to piano, vocals, and ‘robots’, with sensational results. Legend sings chivalrously: “‘Cause all of me loves all of you / love your curves and all your edges / all your perfect imperfections.” Aww!

28

“Entertainment”

Phoenix

From album: Bankrupt!

“Entertainment” is quite exhilarating, characterized by its use of oriental sounding synths and its superb, unifying chorus. “Entertainment, show them what you do with me / when everyone here knows better / what I once refused to be / is everything they long together / I’d rather be alone”, front man Thomas Mars sings enthusiastically.

27

“Suit & Tie”

Justin Timberlake featuring Jay-Z

From album: The 20/20 Experience 

Interpreting what it means to be “on that suit and tie sh*t”: Basically ole boy is looking like one dapper mother [shut yo mouth!] and he’s going to do any and everything he can to impress this girl.  “Let me show you a few things…”

26

“We No Who ‘U ‘R”

Nick Cave & The Bad Seeds

From album: Push The Sky Away

Well written, mysterious, and diverse from many other songs in 2013, “We No Who ‘U ‘R” is alt-singer/songwriter, alt-rock at its best. The sound is reminiscent of a 60s blue-eyed soul hit.

Be sure to check out the previously released parts with songs #100-76 and #75-51, as well as upcoming part, #25 – 1.

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