Tag Archive | Fergie

The 100 Best Songs of 2013: Complete!


Juicy J-WBU-019355

After a year filled with numerous albums and even more songs, choosing 100 of the best is an incredibly difficult task.  Like with the best albums of 2013, there will be surprises as well as snubs.  Sometimes the snubs are oversights while at other items there are just so many notable songs that some just get lost in the mix.  Regardless, here are 100 songs I found to be notable in 2013.

100

“I Luv This Sh*t”

August Alsina featuring Trinidad James

From album: Downtown: Life Under the Gun

August Alsina has one foul mouth on him, but his real talk mixed with the slower, horn-accentuated production is a match made in heaven, if a blasphemous one (see the hook).

99

“Cabaret”

Alice Smith

From album: She

According to highly underrated alt-R&B musician Alice Smith, Hollywood isn’t very kind: “I see no reason for chasing / in Hollywood, got to lose my patience / want this life to be a cabaret…” Hollywood may not be for the ‘faint of heart’, but “Cabaret” it self is brilliant.

98

“Every Man Should Know”

Harry Connick, Jr.

From album: Every Man Should Know

Sometimes the simplest, and most important life lessons to become a gentleman are best conveyed through song, preferably a mix between traditional pop, jazz, and country.

97

“Sophomore”

Ciara

From album: Ciara

Judging by this track, Ciara is far from being a ‘freshman’… definitely. “I ain’t no amateur / baby I know how to handle ya / If you ready for this ride, get your saddle up / I need a boy with some stamina…”

 96

“Golden Salvation (Jesus Piece)”

Wale

From album: The Gifted

We expect nothing less than Wale’s clever wordplay between “piece” and “peace”, particularly on an album titled The Gifted.  Specifically, Wale informs us that too many people don’t want to hear about Jesus or his ‘peaceful’, Christian approach; they’re more concerned about the bling-bling (aka Jesus piece).

95

“Holy Grail”

Jay-Z featuring Justin Timberlake

From album: Magna Carta…Holy Grail

Magna Carta…Holy Grail certainly left plenty to be desired, but few can deny that Jay-Z is one of the kings – all hail, “Holy Grail”!

94

“Unf**kwittable”

Kid Cudi

From album: Indicud 

Basically, Cudi is saying you can’t mess with him… he’s unbreakable… or something like that.

93

“Let Us Move On”

Dido featuring Kendrick Lamar

From album: Girl Who Got Away

Even English singer/songwriter Dido had to get Kendrick Lamar on the track… can’t blame her.  “Let Us Move On” is arguably the best moment from an underrated album nobody bought.   Well, I bought it to be fair.

92

“Vegas Girl”

Conor Maynard

From album: Contrast

The video is a trip…‘course the song is too.  Conor may still have some ‘schmaltz’ about him, but he also has some swag.  Swag on brother – swag on!

91

“Pusher Lover Girl”

Justin Timberlake

From album: The 20/20 Experience

Love and sex have been compared and likened to everything at this point (thanks R. Kelly).  JT decides to make his lady like a drug dealer, only she deals love instead of say cocaine.  What’s shocking is that this album opener works triumphantly.

90

“Clappers”

Wale featuring Juicy J Nicki Minaj

From album: The Gifted

What does one learn from the ‘cellulite anthem’ “Clappers”? That “Shawty got a big ole butt…OH YEAHHHHHH!!!”

89

“Heart Attack”

Demi Lovato

From album: Demi 

I’m not going to front, I’ve been listening to Demi put her “defenses up” all summer…  I don’t think she could really survive the number of heart attacks she’d receive at the hands of my playlist on repeat though…

88

“The Devil Put Dinosaurs Here”

Alice In Chains

From album: The Devil Put Dinosaurs Here

While the Bible doesn’t mention dinosaurs (at least that I can remember off the top of my head), I’m not so sure Satan created them… Regardless, this title track from Alice In Chains’ most recent album was among the best hard rock performances of the year, potential misconceptions and all.

87

“While I’m Alive”

STRFKR

From album: Miracle Mile

While I’m Alive” sports an irresistible, danceable groove; Electronic cues further sweeten things while the soulful guitar is the ‘cherry on top’.  Well written, the theme of “While I’m Alive” is getting past the past, broken relationships, and living ‘while I’m alive.’

86

“Bandz A Make Her Dance

Juicy J featuring 2 Chainz Lil Wayne

From album: Stay Trippy

Everyone needs a good stripper anthem in his (or her) lives, right? On the raunchy “Bandz A Make Her Dance”, Juicy J spits: “Bands a make her dance, bands a maker her dance / All these chicks poppin’ p***y, I’m just poppin’ bands…”

85

“Body Party”

Ciara

From album: Ciara

Just when ‘the art of making love’ was getting boring… Ciara’s here to spice things up!

84

“Her Favorite Song”

Mayer Hawthorne

From album: Where Does This Door Go

Yeah, the accompanying music video is weird, even if the ‘dogs’ are meant to represent guys that are dogs (in theory), but the song is brilliant.  “But when she gets home, she puts her headphones on / she plays her favorite song and fades away…” I do the same thing… well not quite in the same context though…

83

“Brave”

Sara Bareilles

From album: The Blessed Unrest

Here’s the gist of the song: STAND UP AND BE A MAN!!!  $%^!

82

“Trojans”

Atlas Genius

From album: When It Was Now

I promise this song is not about a popular brand of condoms or making love… really:  “Take a picture you could never recreate / write a song / make a note / for the lump that sits inside your throat…” I promise!

81

Forbidden Fruit

J. Cole featuring Kendrick Lamar

From album: Born Sinner

I know, I know – I somehow missed this gem on my “50 Best Rap Songs”, but the atonement is on this broader list.  The one-two punch of J. Cole and Kendrick Lamar is nothing short of fire, period.

80

“Love Me”

Lil Wayne featuring Future Drake

From Album: I Am Not A Human Being II

“Love Me” may have been a shallow as everything else was on I Am Not A Human Being II, but at least it was enjoyably shallow.  “Long as my b*****s love me / I can give a f**k ‘bout no hater…”

 79

“Angel”

Depeche Mode

From album: Delta Machine

Sure, this track is titled “Angel”, but it surely must be representing a dark angel… Mysterious, chilling, and ‘bothered’, “Angel” finds Depeche Mode doing what they do best.

78

“Nosetalgia”

Pusha T featuring Kendrick Lamar

From album: My Name Is My Name

The rap IQ on “Nosetalgia” is off the charts, particularly with Kendrick Lamar collaborating with Pusha.   Pusha T proclaims himself the “Black Ferris Bueller, cutting school with his jewels on…what I sell for pain in the hood, I’m a doctor…” while Kendrick Lamar’s slaughtering verse is capped off with “Go figure mother f**ker, every verse is a brick.” True.

77

“Ain’t It Fun”

Paramore

From album: Paramore 

Ain’t It Fun” may be Paramore’s best track EVER.  Driven by a funky groove, the band goes ‘big’ with a gargantuan bass line, full-force punk-laden guitars, and gospel vocals.  ‘ain’t it fun’? – Definitely!

76

“Pop That”

French Montana featuring Rick Ross, Drake & Lil Wayne

From album: Excuse My French

The raunchiest track from French Montana’s debut album is the best.  It’s all about popping… and I’ll leave it at that!

Read More…

The 100 Best Songs of 2013: Part 3 (#50 – 26)


Panic At The Disco-PFR-010814After a year filled with numerous albums and even more songs, choosing 100 of the best is an incredibly difficult task.  Like with the best albums of 2013, there will be surprises as well as snubs.  Sometimes the snubs are oversights while at other items there are just so many notable songs that some just get lost in the mix.  Regardless, here are 100 songs I found to be notable in 2013.

50

“Drunk In Love”

Beyoncé featuring Jay-Z

From album: Beyoncé

Well, since Beyoncé and Jay-Z are husband and wife, it’s probably fine for them to be ‘drunk’ off of each other’s love.  That said, some of the personal side of that ‘romance’ is made public on this bold track from the surprise ‘visual’ album.  It is what it is…

49

“Netflix”

2 Chainz featuring Fergie

From album: B.O.A.T.S. II: #METIME

You know how fitness trainer Shaun T. says he “don’t do anything but abs”? Well 2 Chainz don’t do anything but stupid.  At least he does it like a pro.  Making a sex tape and putting it on Netflix may be genius, maybe. LOL!

48

“Wait For Me”

Kings of Leon

From album: Mechanical Bull

Caleb Followill explains it best: “It’s all better now, it’s all better now / wait for me, wait for me.”

47

“Who I Am”

Pusha T featuring 2 Chainz & Big Sean

From album: My Name Is My Name

Because Pusha T and his star-studded crew stay true to themselves, they shine on “Who I Am”.  “Woo! They said be all you can be / Woo! They said be all you can be / I just wanna buy another Rollie / I just wanna pop another band / I just wanna sell dope forever / I just wanna be who I am.” To each his own… not that I wouldn’t mind a Rollie let alone more than one!

46

“Wildfire”

John Mayer

From album: Paradise Valley

“Wildfire” is a folksy/roots/country/pop hybrid that sounds incredibly distinct from anything Mayer has released previously. Vocally, Mayer sounds clear and enthused, shedding with mad skill (as always) on the guitar. 

45

“Do I Wanna Know?”

Arctic Monkeys

From album: AM

Ah, drunken confessions of love.  Alex Turner is honest on this exceptional opener from Arctic Monkeys’ most recent effort, AM: “Crawlin’ back to you / ever thought of calling you when you’ve had a few? / ‘Cause I always do / Maybe I’m too, busy being yours to fall for somebody new…” You get the idea!

44

“All American Boy”

Steve Grand

Has there ever been a viral hit that was such a ‘hit’ as “All American Boy”? Steve Grand’s country song with a gay love storyline made a gargantuan impact, everywhere.  Because homosexuality and country are rarely associated with one another, “All American Boy” like “Same Love” was to hip-hop, breaks down social barriers.

43

“Take A Fall For Me”

James Blake featuring RZA

From album: Overgrown

At the beginning of “Take A Fall For Me”, James Blake claims that, “You can’t marry her yet…” RZA goes on later to state “I heard through the grapevine that great love, it takes time / sex shapes the body, truth shapes the mind…” So basically, this track seems to be about a relationship that is incomplete of all the necessary facets, or something along those lines.

42

“Shabba”

A$AP Ferg featuring A$AP Rocky

From album: Trap Lord

Ferg and Rocky are on that “Sha-Sha-Shabba Ranks”… rings, change, gold teeth, women… Sound so appealing, doesn’t it?

41

“Primetime”

Janelle Monáe featuring Miguel

From album: The Electric Lady

Sometimes, a great R&B duet doesn’t have to be oversexed or completely stripped of its romance.  “Primetime” is a perfect example of this.  The vocal chemistry between Janelle Monáe and Miguel is magnificent.

40

Kisses Down Low

Kelly Rowland

From album:  Talk A Good Game

Ooh Kelly, you so nasty! “I like my kisses down low / makes me arch my back / when you give it to me slow / baby just like that…” When the word ‘arch’ is used in a song, it’s rarely referencing the ‘arch’ of the foot… just sayin’!

39

“Retrograde

James Blake

From album: Overgrown 

“Retrograde” finds Blake channeling his urban side superbly, accompanied initially by piano.  Blake’s initial vocal runs sounds indigenous to R&B or gospel, making “Retrograde” all the more unique. Things truly grow epic on pivotal line “Suddenly I hit,” where excitement reaches a lofty peak.

38

“Almost Is Never Enough”

Ariana Grande featuring Nathan Sykes

From album: Yours Truly

Duet “Almost Is Never Enough” should be incredibly sappy but it isn’t!  Grande and boyfriend Nathan Sykes (of The Wanted) sport sound vocal chemistry on this enjoyable track. A musical oxymoron of sorts, “Almost Is Never Enough”, is soulful, yet contemporary, and old school, yet fresh.

37

“Made Up Mind”

Tedeschi Trucks Band

From album: Made Up Mind

If one was unconvinced just how resolute Susan Tedeschi was, listening to her gritty, passionate performance on the bluesy “Made Up Mind” erases all doubts.  She can S-A-N-G!

36

“Without Me”

Fantasia featuring Kelly Rowland & Missy Elliott

From album: Side Effects Of You

Guys are totally in the ‘doghouse’ on this jam from Fantasia and friends, but even they can’t resist the nodding of head or the tapping of foot.

35

“Florida

Jaheim

From album: Appreciation Day

Jaheim spent most of Appreciation Day ‘appreciating’ women, but he took a detour to go socially conscious on the phenomenal “Florida”, a track questioning the controversial Treyvon Martin verdict.  Sure Jaheim sounds inspired when he’s singing of pleasure, but he sounds equally, if not more powerful, singing of pain and repercussions here. 

34

“Ya Hey”

Vampire Weekend

From album: Modern Vampires of the City

Someone’s not been going to church lately… “Ya Hey” is a play on the word “Yahweh”, which refers to God.  Can you say blasphemous? Religious stance aside, “Ya Hey” is another creative song courtesy of everyone’s favorite vampires. They sure know how to bite!

33

“Bugatti”

Ace Hood featuring Future & Rick Ross

From album: Trials & Tribulations

I rarely compliment Future (I’ve been pretty critical), but “Bugatti” sports Future’s best hook of the year/perhaps ever… “I woke up in a new Bugatti!”

32

“Touch”

Daft Punk featuring Paul Williams

From Album: Random Access Memories

On the warm and beautiful track “Touch”, Paul Williams delivers a superb vocal performance against an excellent neo-disco styled backdrop. There’s not a thing wrong with that retro swag!

31

“Hold On, We’re Going Home”

Drake featuring Majid Jordan

From album: Nothing Was The Same

“Hold On, We’re Going Home” has nothing at all  ‘hip-hop’ about it. Despite this, this 80s-styled R&B/pop cut is nothing short of a pleasure to partake of. It’s like the most delicious dessert ever… Scrumptious!

30

“Miss Jackson”

Panic! At The Disco

From album: Too Weird to Live, To Rare to Die 

“Miss Jackson” (featuring Lolo) finds Panic! At The Disco front man Brendon Urie using his contemporary R&B chops, with some emo-pop swag of course! Catchy and manic, “Miss Jackson” is nothing short of pop gold.  And as “nasty” as Miss Jackson is, “…[he] love her anyway!”

29

All of Me

John Legend

From album: Love in the Future

The thoughtful, radiant “All Of Me” strips down to piano, vocals, and ‘robots’, with sensational results. Legend sings chivalrously: “‘Cause all of me loves all of you / love your curves and all your edges / all your perfect imperfections.” Aww!

28

“Entertainment”

Phoenix

From album: Bankrupt!

“Entertainment” is quite exhilarating, characterized by its use of oriental sounding synths and its superb, unifying chorus. “Entertainment, show them what you do with me / when everyone here knows better / what I once refused to be / is everything they long together / I’d rather be alone”, front man Thomas Mars sings enthusiastically.

27

“Suit & Tie”

Justin Timberlake featuring Jay-Z

From album: The 20/20 Experience 

Interpreting what it means to be “on that suit and tie sh*t”: Basically ole boy is looking like one dapper mother [shut yo mouth!] and he’s going to do any and everything he can to impress this girl.  “Let me show you a few things…”

26

“We No Who ‘U ‘R”

Nick Cave & The Bad Seeds

From album: Push The Sky Away

Well written, mysterious, and diverse from many other songs in 2013, “We No Who ‘U ‘R” is alt-singer/songwriter, alt-rock at its best. The sound is reminiscent of a 60s blue-eyed soul hit.

Be sure to check out the previously released parts with songs #100-76 and #75-51, as well as upcoming part, #25 – 1.

Playlist: September 2013 Jams To Lead Into October


Drake-AES-089760

It’s that time… for me to list songs that made me :-) over the past month.  14 of ‘em baby, get ready!

Katy Perry,”Roar” 

PRISM

Katy Perry-20130618-80You knew it would take some mega force to unseat Robin Thicke from the top spot of the Billboard Hot 100 with the ubiquitous smash “Blurred Lines”.  That force came via everyone’s favorite pop star Katy Perry, who shocked with her maturity on “Roar”.  Sure, Ms. Perry had a lot of fun in her jungle music video to accompany her number one single, but she goes all inspirational on us as opposed to, um, risqué.  I wasn’t one hundred percent onboard at first, but it certainly tickled my fancy after a while.

2 Chainz featuring Fergie, “Netflix”

B.O.A.T.S.II:#METIME

2 Chainz-ZNV-000958I wouldn’t call 2 Chainz the most intellectually-stimulating rapper – he goes dumb (and sometimes dumb-er) with the best.  Throw in the queen of silliness in Fergie and the resulting cut “Netflix” should be a total bust.  Instead, it is one of 2 Chainz’s most triumphant moments from B.O.A.T.S.II:#METIME, which also turns out to be a much better album than it should be.  The best line from my perspective? “Let’s make a sex tape and put it on Netflix”.  SMH.

John Legend, “All Of Me”

Love In The Future 

John Legend-20130621-53There may never be another John Legend number as touching as his acclaimed, stripped ballad “Ordinary People” was, but “All of Me” seems to be the closest Legend has came to that Grammy-winning classic.  Simplistic sporting a certain innocence about it, part of the appeal of ballad is its sheltered, chivalrous genuineness.

Tamar Braxton, “Love and War”

Love and War

1174751_634685723230300_847700807_nYeah, I know, I know.  “Love and War” has been out for a minute… but it is still arguably the best track on Braxton’s sophomore effort.  Sure, the album was kinda so-so at best, but “Love and War” would easily rise to the top of most track lists.  Soulful, old-school yet contemporary enough, it’s no surprise that the ‘battling through love’ track helped propel Braxton to number two on the Billboard 200 Albums Chart.

Miley Cyrus, “Wrecking Ball”

BANGERZ

Miley Cyrus25-20130917-26A Miley Cyrus song on a Brent Faulkner playlist? Something must be wrong! It’s not, if you can believe it.  For as much controversy as Miley Cyrus has successfully stirred up around her hyper-sexual makeover for upcoming studio album BANGERZ, “Wrecking Ball” the song is actually pretty impressive.  Honestly, I was onboard from the first time I saw the video, even if I found the video itself to be…um… yeah I can’t think of the word.  As for the song and the concept of the song, I’ll give it to ole girl.  I’m still no fan though…

Janelle Monáe featuring Prince, “Givin’ ‘Em What They Love

The Electric Lady

Janelle Monae-ZNV-001038Q.U.E.E.N.” one killer jam by all means, but Monáe’s promo single has been receiving buzz for a minute.  More surprising and equally alluring is her collaboration with Prince, who definitely doesn’t lend his pipes or skills to many…  The results, specifically the vocal chemistry between two left-of-center artists is nothing short of brilliant – pretty fly from my perspective.

Drake featuring Detail, “305 To My City

Nothing Was The Same

Drake-SIN-000189Is it just me, or is every Drake album stacked? Nothing Was The Same has a hard act to follow compared to either Thank Me Later or Take Care, but there is still plenty of notable numbers from rap’s softest heavyweight.  “305 To My City” benefits from it moodiness, grinding tempo, and honestly its ‘Drake-isms’.  Hard choice between this one, “Tuscan Leather”, “Wu-Tang Forever”, or contemporary R&B number “Hold On We’re Going Home”.

Ariana Grande featuring Nathan Sykes, “Almost Is Never Enough”

Yours Truly

Ariana Grande-MSA-011914I’m not one who is into boyfriend/girlfriend duets nor big youthful pop/urban duets.  However, every now and again, one comes around that works splendidly.  Remember a little hit called “No Air”? Exactly. Sure there is no comparison of Ariana Grande’s fine duet with The Wanted boyfriend Nathan Sykes to the gargantuan Jordin Sparks/Chris Brown duet, but it is so much better than it sounds on paper.  Vocally, the chemistry is undeniable, the maturity transcendent of both stars’ age, and the songwriting ‘tried-and-true’ yet relatable.  Yeah, “The Way” and “Baby I” might garner more attention, but “Almost Is Never Enough” is a definite sleeper.

Raheem DeVaughn, “Complicated

A Place Called Love Land

Raheem DeVaughn-PFR-009779Love is a complicated thing.  Just imagine how complicated and complex it is in the context of A  Place Called Love Land, Raheem’s DeVaughn’s slept on, exceptional fourth studio album? Basically the premise of this soulful standout is that DeVaughn is in a relationship (or something like it), but doesn’t want to label it.  Therefore even if ole boy is “…kinda single” but also in love, it truly is complicated.  Nothing complicated or questionable about the strength of this number though.

Kings of Leon, “Wait For Me

Mechanical Bull

Kings-of-Leon-bh09Mechanical Bull was a fine new effort from Kings of Leon overall.  Sure, I was looking for another “Sex on Fire”, but maybe the lovin’ has leveled off.  Regardless, “Wait For Me” is a brilliant showing offering multiple interpretations (though likely referencing Caleb Followill’s demons) while ultimately delivering a plea of ‘waiting’ for the ‘lost’ to clean up his act.  It’s that sort of situation where one went on the wrong pathway and is now back on the straight and narrow.

Jaheim, “Florida

Appreciation Day

1001626_191194147710313_1819334795_nOn his underrated sixth album Appreciation Day,  Jaheim spends a good chunk of time discussing the opposite sex, particularly on the incredibly sensual title track.  However, he breaks away from the female anatomy on the brilliant, socially conscious “Florida”, which details the infamous Trayvon Martin case.  One of the most ‘trill’ songs I have heard in sometime, “Florida” strikes a soulful, chilling chord from an initial listen.

Stalley, “Coupes & Roses”

Self Made 3

81Zuo+7lWuL._SL1425_Maybach Music Group’s third compilation wasn’t exactly charm.  Self Made 3 seemed to lack the same spark as the 2012 compilation which was loaded with the likes of “Power Circle” and “Bury Me A G”.  Still, Stalley’s “Coupes & Roses” is a standout that blends luxurious sounds, old-school, and swagger a la 2013 into a winning formula.  All bow to rap’s ‘next’.

The Weeknd, “Belong To The World”

Kiss Land

The Weeknd4-20130729-217I’ll be the first to criticize The Weeknd’s follow-up to mixtape compilation TrilogyKiss Land feels pretty blasé for the most part, but this overproduced number has its moments.  Particularly, its lyrics are quite alluring: “Ooh girl,  I know I should leave you / and learn to mistreat you / cause you belong to the world / and ooh girl, I want to embrace you / domesticate you / but you belong to the world.”  Who would’ve thought a song alluding to a stripper Abel Tesfaye wants to ‘domesticate’ could be fascinating?

MGMT, “Alien Days”

MGMT

MGMT-music-f04You wouldn’t be making an generalization if you said that MGMT’s music is getting weirder and spacier.  “Alien Days” is certainly and opener that requires more than one listen to truly digest and understand what’s going through the band’s head.  Opening with a child’s voice that eventually is taken of very VanWynegarden’s trippy, nonchalant voice,  MGMT is characteristic of the band while continue to stretch (perhaps overstretch) the boundaries.  I think it is  quite possible to get high of the cut without even smoking.

Review: 2 Chainz, ‘B.O.A.T.S. II: #Me Time’


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2 Chainz Does Dumb Surprisingly Well on B.O.A.T.S. II

2 Chainz⎪ B.O.A.T.S. II: #Me Time⎪Def Jam⎪⎪US Release Date: September 10

2 Chainz-ZNV-000958Let’s get one thing straight from the get-go… 2 Chainz is crazy! Like totally cray cray.  Honestly, B.O.A.T.S. II: #Me Time should be a disaster (add a profanity of choice in front of ‘disaster’). Somehow though, through all of Tauheed Epps’ stupidity, he puts together a dumb, but fun rap album.  Yeah, maybe there isn’t one single cut that supplants the brilliantly, naughty “Birthday Song” which I still jam out to on my iPod, but there is plenty of songs that lack substance that give the listener, um, a guilty pleasure.  2 CHAINZ!

The fun starts with “Fork”, in which 2 Chainz “…had a dream that rap wouldn’t work / woke up on the block, had to hit it with the fork / skrrr, skrrr, skrrr, skrrr, skrrr: hit it with the fork… rap don’t work, records ain’t bein’ sold…so much money on me, it won’t even fold….” Yeah something like that. What is he talking about? Good question! Well, sounds like drugs, rap albums not selling, and having more money than he’ll ever need.  If that’s not enough, he elaborates on his excesses, maybe best epitomized by a lyric like “I drink red b**ches, I don’t drink Red Bulls…” Alrighty then, heck of a way to start 2 Chainz by hitting it with the fork.

2 Chainz-ZNV-001216On “36”, the king of dumb educates us listeners on the hook: “36 / that’s how many ounces in a brick / 36, 36, 36, 36…” So if you had no idea about the wait of drug paraphernalia, 2 Chainz has schooled you over the course of one minute and a half.  Feel lifted?  Then after all the drugs, the “Feds Watching”, featuring and produced by Pharrell Williams.  2 Chainz begins his first verse with bragging about material things (“Dreads hang on designer everything…”), then goes on to the strip club (“This that category 5 when I walk up in the strip club…”), and throws in some drugs for good measure (“Backing soda marketing , I’m getting it ain’t I? Obviously…”). He caps all of his higher level thinking with a simple, summative hook: “I’mma be fresh as hell if the Feds watching….” So basically, even if 2 Chainz gets caught, he’s going to be ‘fresh to death’ I’m assuming? I don’t know about all that, but the track is killer.

Where U Been” keeps things consistently ‘materialistic’, featuring the assist from Cap.1.  Simply, 2 Chainz has been balling “getting money, where the f**k you been?”.  Oh and to add a little more oomph to his brashness, he throws in the ‘tasteful’ punch “bought a new crib just to f**k you in.”  Seems extreme to me, but he is 2 Chainz. Oh an as for Cap.1’s contributions, perhaps the lyric “My b**ch she’s so pretty that’s my Pocahontas…” takes the cake.  Next, my boy brings in Drake and Lil Wayne for the superstar collaboration “I Do It”.  Simplicity remains key, particularly given 2 Chainz’s opening ‘salvo’: “Hang up on a b**ch, call it crucified”.  Still, he has his moments.  Drake may have the best line, when he alludes to Lil Wayne near the end of the second verse: “Man I just hear this sh*t and think about what Tunechi will tell you / he might call up Patricia, she ‘bout to call up Melissa…” Oh and in case you’re wondering, yes Lil Wayne talks about sex on his verse… shocker.  The Outro is a nice contrast though.

2 Chainz-RWP-011385Used 2” keeps the absurdity alive and well, evidenced by the ridiculous hook which seems to reference recording the naughty and uploading it to youtube as looking for a baby mama… SMH.  Repetition is 2 Chainz’s best friend here, or his worst enemy with the clumsy lines he chooses to repeat.  He ‘redeems’ himself on the it’s-so-ridiculously-stupid-it’s-good “Netflix” which pairs him with Fergie… what a combo, phew! Where do you even start? 2 Chainz references weed, sex tapes, the paparazzi, high end fashion, and uninspired rappers all in the matter of his first verse.  On her verse, Fergie lifts from “Birthday Song” (“When I die, bury me inside the liquor store…”), as well as dropping the obligatory weed reference, blowing wads of money, and “b**ches copying” her.  And then there’s that hook… “I know you had the time of your life…you know I’m gettin’ money, ten, twenty, thirty, forty, Ill be countin’ this sh*t all night…” Geez Louise!

Extra” is one that annoys me.  Yeah, yeah, I know 2 Chainz is no Nas, but 2 Chainz’s pop-rap here is a bit questionable, even for him.  The most shameful line from Chainz? “I just had a threesome for three weeks in a row / Last name Chainz, first name Two…” WTF? Rich Homie Quan guests on the third verse.  On “U Da Realest”, Chainz states “I’m like a quarterback, hand it off / drop the work in the pot, watch it cannonball / I done seen ‘em ball, I done seen ‘em fall / rest in peace to my n***a, you da realest, dawg…”  Somewhere in there there seems to be some substance… well besides what’s in that pot he references.   But of course, he ruins a good moment too, like “Rest in my piece to all my n***as, they died while they was servin’ / rest in peace to all the soldiers that died in the service / I died in her…” I. Have. No. Words…that I’m going to publish here…

2 Chainz-RWP-011380Then comes “Beautiful Pain”, which features Lloyd and Mase.  2 Chainz doesn’t take himself seriously, but Lloyd refines things on a fine hook (“Oh I feel so fly / came so far, but I still wanna fly…see what this beautiful pain, provide / baby look into my eyes…”) And of course, Mase keeps things classy.  Overall, “Beautiful Pain” stands out.  T-Pain joins the boatload of collaborators on “So We Can Live”, drenched in autotune as always.  2 Chainz has plenty of ‘interesting’ moments, whether it’s his illegal activities (“Mama don’t work, heater don’t work / Police pulled me over and said he seen weed on my shirt / I pray to the lord and ask for forgiveness / If he popped my trunk I can get a life sentence…”), playing copycat (“Simon says, monkey see money do / I wore the shirt, you wore the same shirt too…”) or being the sh*t (“appetite for destruction, and I don’t need a menu / so far ahead of y’all n***as, I can see you in my rearview…”) . There it is, I suppose.

He’s hella clumsy on “Mainstream Ratchet”, but isn’t that understandable? Proceed with caution folks! I mean, anything with the word ratchet in it…  “And that’s ratchet huh? Her a$$ so big it look like she trying to walk backwards bruh…”  “Black Unicorn” contrasts, opening with an lovely spoken word performance by Sunni PattersonChrisette Michele handles the hook as classy and nuanced as always.  And as for Chainz, he’s not too shabby himself.  Ol’ boy gets himself together on “Outroduction”, presenting himself much more thoughtfully and candidly.  There are “two sides to a book” after all.

Classic or total bust? Neither, but B.O.A.T.S. II: #Me Time is actually a much better album than I envisioned it to be.  It’s hard to call an effort with so many references to sex, drugs, and irresponsibility a masterpiece, but I’ll give it to 2 Chainz, he certainly has some highlights here.  If you’re a fan of more intellectual rap though, this is not your cup of tea. But if you don’t mind going ‘stupid’ like a lot, well then, this album is your new jam.

Favorites: “36”; “Feds Watching”; “I Do It”; “Netflix”; “Beautiful Pain” 

Verdict: ✰✰✰✰

Review: ‘Music From Baz Luhrmann’s Film: The Great Gatsby’


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Various Artists ⎢Music From Baz Luhrmann’s Film: The Great Gatsby Water Tower / Interscope US Release Date: May 7, 2013

Constructing a soundtrack that not only creates a solid musical backdrop for the film as well as doubling as an enjoyable compilation is no easy task.  Because of this, soundtracks themselves often get mixed reviews, even if they more than execute there purpose in the films they accompany. Music From Baz Luhrmann’s Film: The Great Gatsby is an album that will impress some, perhaps many, but it isn’t a definitive slam dunk either.  While it isn’t a ‘FAIL’, it is has its triumphs and its flawed moments.

Opening cut “100$ Bill” arrives care of the album’s producer himself, Shawn “Jay-Z” Carter. A solid way to open, it isn’t the greatest set of rhymes Hov ever assembled, but it is good enough to have you nodding one’s head.  A pleasant surprise arrives in an updated cover of Amy Winehouse’s “Back to Black” performed by André 3000 and Beyoncé.  While the soulfulness that Amy Winehouse has been reduced given the electro/hip-hop interpretation, the additional spaciness and restraint conveys its own emotion.  Purists who were fans of the original may be highly skeptical, but it is a clever interpretation.

Will.i.am’s gimmicky “Bang Bang” reappears from his #willpower album. Where “Bang Bang” was a total miss there, the “Charleston”/ “Bang Bang (My Baby Shot Me Down)” sampling cut makes contextual sense given the setting of the film.  That said, the cut still is all over the place and too lengthy.  Fergie, Q-Tip, and Goonrock have better luck on “A Little Party Never Killed Nobody (All We Got)”.  That said, the cut is corny and is one of those ‘love it or hate it deals’.  Balance is reestablished via Lana del Rey’s centerpiece single “Young and Beautiful”. The cut is exactly what you would expect from its chanteuse – rich in sound, somewhat drawn out, and somewhat indulgent.  Lana del Rey may always received mixed reviews artistically, but “Young and Beautiful” is one of the album’s better tracks.

Love Is The Drug”, performed by Bryan Ferry with The Bryan Ferry Orchestra is no better than average, with the production sounding a bit shoddy. “Over The Love”, performed soulful indie-pop/rock Florence + The Machine provides some atonement, but doesn’t give Florence Welch the ‘home run’ she’s had with material from her albums. It’s interesting and Welch definitely commands and delivers, but it lacks ‘finesse’ you might say.  “Where the Wind Blows” is a solid cut, performed by Coco O. Sampling “Oh! You Have No Idea” performed by Sophie Tucker, “Where the Wind Blows” again bridges old and new, much like Baz Luhrmann’s film(s) in general. The rising Emeli Sandé performs with The Bryan Ferry Orchestra on a cover of Beyoncé’s hip-hop album “Crazy in Love”.  While Sandé may not have the same swagger Beyoncé did back in 2003, she performs capably.  The production is certainly stronger than that of “Love is the Drug”.

The pace changes at track ten.  The xx add some alt-appeal on “Together”, a mysterious, enthralling number.  Gotye’s “Hearts A Mess” reappears from his 2006 album Like Drawing Blood, which received proper release in 2013.  Although lengthy at over six minutes, it definitely eclipses some other, less heralded cuts. Jack White covers U2 capably on “Love Is Blindness”, but still there is no air of ‘the second coming’ by any means.  Nero slow down some momentum on “Into the Past”, which has some great ideas, but is a bit of a bore ultimately.  Sia closes with one of the more triumphant cuts of the soundtrack, “Kill and Run”.  “Kill and Run” leaves the listener with a more favorable impression than they would have had with a less thrilling track.

Overall,  Music From Baz Luhrmann’s Film: The Great Gatsby is good (average, perhaps slightly above), but not ‘elite’.  There are plenty of good moments throughout, but still some leave more to be desired.  Even some of the best cuts leave room for skepticism. Good, not exceptional.

Favorites: “100$ Bill”; “Back To Black”; “Young and Beautiful”; “Kill and Run”

Verdict: ✰✰✰

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